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if her cheeks, by some enchanted power,
Attracted had the cherry blood from his:
Anon, with reverent fear when she grew pale,
His cheeks put on their scarlet ornaments,
But no more like her oriental red,
Than brick to coral or live things to dead.
Why did he then thus counterfeit her looks?
If she did blush, ’twas tender modest shame,
Being in the sacred presence of a king;
If he did blush, ’twas red immodest shame,
To vail his eyes amiss, being a king:
If she look’d pale, ’twas silly woman’s fear,
To bear herself in presence of a king;
If he look’d pale, it was with guilty fear,
To dote amiss, being a mighty king:
Then, Scottish wars, farewell! I fear, ’twill prove
A ling’ring English siege of peevish love.
Here comes his highness, walking all alone. Enter King Edward. King Edward

She is grown more fairer far since I came hither;
Her voice more silver every word than other,
Her wit more fluent: what a strange discourse
Unfolded she of David and his Scots!
“Even thus,” quoth she, “he spake,”⁠—and then spoke broad,
With epithites and accents of the Scot;
But somewhat better than the Scot could speak:
“And thus,” quoth she⁠—and answer’d then herself;
For who could speak like her? but she herself
Breathes from the wall an angel’s note from heaven
Of sweet defiance to her barbarous foes.
When she would talk of peace, methinks, her tongue
Commanded war to prison; when of war,
It waken’d Caesar from his Roman grave,
To hear war beautified by her discourse.
Wisdom is foolishness, but in her tongue,
Beauty a slander, but in her fair face:
There is no summer, but in her cheerful looks,
Nor frosty winter, but in her disdain.
I cannot blame the Scots that did besiege her,
For she is all the treasure of our land;
But call them cowards, that they ran away,
Having so rich and fair a cause to stay.⁠—
Art thou there, Lodwick? give me ink and paper.

Lodwick I will, my sovereign. King Edward

And bid the lords hold on their play at chess,
For we will walk and meditate alone.

Lodwick I will, my liege. Exit. King Edward

This fellow is well read in poetry
And hath a lusty and persuasive spirit:
I will acquaint him with my passion;
Which he shall shadow with a veil of lawn,
Through which the queen of beauty’s queens shall see
Herself the ground of my infirmity.⁠—

Re-enter Lodwick. hast thou pen, ink, and paper ready, Lodwick? Lodwick Ready, my liege. King Edward

Then in the summer arbour sit by me,
Make it our council-house, or cabinet;
Since green our thoughts, green be the conventicle
Where we will ease us by disburd’ning them.
Now, Lodwick, invocate some golden muse
To bring thee hither an enchanted pen
That may, for sighs, set down true sighs indeed;
Talking of grief, to make thee ready groan;
And, when thou writ’st of tears, encouch the word,
Before and after, with such sweet laments,
That it may raise drops in a Tartar’s eye,
And make a flint-heart Scythian pitiful:
For so much moving hath a poet’s pen;
Then, if thou be a poet, move thou so,
And be enriched by thy sovereign’s love.
For, if the touch of sweet concordant strings
Could force attendance in the ears of hell;
How much more shall the strains of poets’ wit
Beguile and ravish soft and human minds?

Lodwick To whom, my lord, shall I direct my style? King Edward

To one that shames the fair and sots the wise;
Whose body is an abstract or a brief,
Contains each general virtue in the world.
Better than beautiful, thou must begin;
Devise for fair a fairer word than fair;
And every ornament, that thou wouldst praise,
Fly it a pitch above the soar of praise:
For flattery fear thou not to be convicted;
For, were thy admiration ten times more,
Ten times ten thousand more the worth exceeds,
Of that thou art to praise, thy praise’s worth.
Begin, I will to contemplate the while:
Forget not to set down, how passionate,
How heart-sick, and how full of languishment,
Her beauty makes me.

Lodwick Write I to a woman? King Edward

What beauty else could triumph over me;
Or who but women, do our love-lays greet?
What, think’st thou I did bid thee praise a horse?

Lodwick

Of what condition or estate she is,
’Twere requisite that I should know, my lord.

King Edward

Of such estate, that hers is as a throne,
And my estate the footstool where she treads:
Then may’st thou judge what her condition is,
By the proportion of her mightiness.
Write on, while I peruse her in my thoughts.

Her voice to music, or the nightingale:
To music every summer-leaping swain
Compares his sun-burnt lover when she speaks:
And why should I speak of the nightingale?
The nightingale sings of adulterate wrong;
And that, compar’d, is too satyrical:
For sin, though sin, would not be so esteem’d;
But, rather, virtue sin, sin virtue deem’d.
Her hair, far softer than the silkworm’s twist,
Like to a flattering glass, doth make more fair
The yellow amber: “like a flattering glass”
Comes in too soon; for, writing of her eyes,
I’ll say, that like a glass they catch the sun,
And thence the hot reflection doth rebound
Against the breast, and burns my heart within.
Ah, what a world of descant makes my soul
Upon this voluntary ground of love!⁠—
Come, Lodwick, hast thou turn’d thy ink to gold?
If not, write but in letters capital
My mistress’ name, and it will gild thy paper.
Read, Lodwick, read;
Fill thou the empty hollows of mine ears
With the sweet hearing of thy poetry.

Lodwick I have not to a period brought her praise. King Edward

Her praise is as my love, both infinite,
Which apprehend such violent extremes
That they disdain an ending period.
Her beauty hath no match but my affection;
Hers more than most, mine most, and more than more:
Hers more to praise than tell the sea by drops;
Nay, more, than drop the massy earth by sands,
And, sand by sand, print them in memory:
Then wherefore talk’st thou of a period,
To that which craves unended admiration?
Read, let us hear.

Lodwick “More fair and chaste than is the queen of shades,”⁠— King Edward

That line hath two faults, gross and palpable:
Compar’st thou her to the pale queen of night,
Who, being set in dark, seems therefore light?
What is she, when the sun lifts up his head,
But like a fading taper, dim and dead?
My love shall brave the eye of heaven at noon,
And, being unmask’d, outshine the

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