Choosing Names: Man-Kzin Wars VIII by Larry Niven (the best books to read TXT) 📗

had to integrate Creditor’s Telepath into any plans at all.

“I saw their image of me every time my designation was spoken: Remember he can’t fight. He has to live until we’re in free space, and that means we move fast. We must be loose before that evil goop he uses runs out, or else we’re here for keeps. Why didn’t you snatch a full pouch? Because our own crazy Telepath, shredded when a patch of hull turned to flying shards, let the flack shred his carry-pouch too! White Mask’s memory forced upon me a diminishing radio howl from within a globe of bloody froth, frozen at the surface, lobes of fluid breaking through as blood boiled and froze and expanded.

“In the morning White Mask called to me. ‘Talk to them. Give them a reason to move us out of this box! If we were inside together we could do something. Not you, Telepath, stay where you are. We’ll free you after.’

“I had been thinking, too. I said, ‘Toolmaster is dying. I can feel him disappearing into dreams, and even the dreams are fading. Tell the humans. They will try to save him.’

“I felt how that startled Stumpy. He shouted, ‘They have four. Why strain to keep a damaged fifth?’ I felt his fear that they would not keep a damaged fourth, either, on this airless moon where every breath must be made or imported.

“I tried to answer him. ‘These are not quite single entities,’ I said. ‘To be complete they need a community. Isolated humans turn strange. Partly they live for each other. They imagine they feel each other’s fear, lust, agony, rage.’

“I was speaking a truth that I could feel and taste, and in that instant I knew I was describing myself. I had to force myself to go on. ‘Their instinct will be to care for any injured creature, a weakling human, an animal, even an enemy, even an alien. Tell them that Toolmaster needs his companions about him and they will believe. They will take you all inside. I can’t guess what precautions they will take first.’

“White Mask’s scream of triumph rang through his head and mine. In his throat it was only a strangled squeak. ‘Tell them, then! Get us inside and we will do the rest!’ He stooped over Toolmaster. ‘Of course he’s dying. Is he dead already?’

“I reached for Toolmaster’s mind. ‘He lives. Let me guide you now and I’ll get you in. Huddle around Toolmaster. Ear Eater, imagine how his posture might be more comfortable, and move him. White Mask, talk to him.’

“ ‘Saying what?’

“ ‘Does it matter? Speak, listen, speak again.’ I could feel Toolmaster’s remote agony lessen: he could just barely sense the attention, and he liked it. ‘Now, White Mask, go to the window and shout. Wave your arms at the doctors. Stumpy, you join him. Ear Eater, you stay with Toolmaster. Lift his head a little and slide that flat rock under it for support. Gently! Good.’

Toolmaster felt the motion and was soothed.

Doctors massed on the other side of the window. The merest touch of their minds gave me their thrill of anthropomorphic empathy, as that scarred monster showed such tenderness to his fallen fellow. I called, ‘Now, White Mask, shout at me! Your friend is sick and you don’t speak human language, so tell me, instead! They don’t know I can read minds—’

“He came to the bars and shook them and shouted, ‘Did you think I’d forgotten, you fool?’ Stumpy had got the idea: he was beside White Mask, shouting poetry we’d all learned from the Keepers as children. And the doctors came running to my window, the window to my pen, and listened as I shouted at them in their language. In the midst of all that I felt Toolmaster die.

“So here I am.”

The interrogator nodded behind the glass. “So here you are. But you weren’t saying what your companions thought you were saying. I take it you do not advise us to take them out of their cage.”

“I do not,” Telepath said. “You might bear in mind that they know what I told them of you. They should not run loose to shout their news. They should not even be brought near another telepath.”

“Uh-huh.”

Telepath said, “I caught something in your mind. A large ship, drive shredded, survivors—?”

“Yes, we believe we found females of your species.”

“Dead, though. You found an Admiral’s harem.”

“If you want to mate—”

“Yes! But you don’t have that to offer.”

“There will be a next time, a chance to capture female warcats. We can bargain. But as for your name, take that as a gift. Would you like Selig? Or Aycharaych? Or Greenberg?”

Mind-readers out of humans’ classic fiction, Telepath saw. “Better some ancient warrior’s name,” he said, and reached for what surfaced. “Ronreagan. Call me Ronreagan.”

“So be it. Ronreagan, it’s feeding time, and if you’re not hungry I am.” I saw him for an instant as meat, prey, and he sensed that somehow, and it amused him. “But then I want you to tell me every last thing you know about, what did you call—”

“Patriarchy.”

“About the Patriarchy. And gravity generators! Can you tell us how to build one of those?”

“When you capture a warcat female, find me an Engineer, too.”

TELEPATH’S DANCE

Hal Colebatch

Copyright © 1998 by Hal Colebatch

Easter Island

Arthur Guthlac, who could never hope to go further into Space than a cheap package holiday to the Moon, envied his sister Selina more than he could easily say.

Apart from the ramrobots and the few, incredibly expensive, colony-ships, journeys beyond the Solar System were rare, and the queue of scientists with projects for Space was always growing. It was a staggering accolade for the gravity-anomaly project to have been selected for funding.

But the museum attendant and his brilliant sister had always been close, and the separation would be long. They stayed together for the last few days before the Happy Gatherer left Earth. He produced the model the night before the research ship’s departure.

“Take this,” Arthur said. “A small