Choosing Names: Man-Kzin Wars VIII by Larry Niven (the best books to read TXT) 📗

It was an ancient sea-going ship, cast in metal, a little more than the length of her hand.

“An antique? You haven’t stolen it from the museum, have you?”

She put a laugh in her voice. So did he.

“Antique, but not stolen. I was at a conference at Greenwich Museum in London on automated security for children’s galleries, and they gave the delegates mementos. So I hand it on to you, setting out on a voyage, like those old pioneers of the sea. I got one for each of us. They were two sibling-ships, I gather: built to the same design.”

“Nice of them to give you two.”

“They were throwing them away to make space for dance history exhibits. I saw hundreds in a trash-compactor . . . Perhaps,” he added with seeming carelessness, “they were Military Fantasy cult objects.”

“A depiction of a . . . military ship? You wouldn’t have such things in a responsible museum, would you?”

“I don’t know if there ever were real military ships. There have been Fant stories, of course. If they did exist, they would have been much earlier. This ship is from the iron-age. The steel-age in fact . . . No, it’s not that.

“Anyway,” he continued in the official voice of an ARM, “it’s impossible that pirates or banditos could have had the resources to build a ship like this. It was very big engineering for its time. Only major companies or governments could have built such a thing. Besides, the Military Fantasy was about sociopathic ideas, and this doesn’t look to me like the idea, however diseased, of a military ship. Where would the war-men fire their weapons from?

“I guess this was some sort of bulk cargo-carrier. These devices here would have been to pour grain or ore or something into hoppers. This is unless they are meant to be giant ‘gun-barrel’ weapons.”

He gave a cautious, almost furtive smile and inflected his voice with mockery as if to show anyone monitoring the conversation that he was making a tasteless private joke.

He pointed to a model of a small boat attached to the main model. “That shows the scale—about 1,000:1. I’m not sure how they measured length in those days, but the real ship would have been about 35,000 tonnes. Police—the fore-runners of ARM—still carried guns then, but for these things to have been guns,”—he touched one of the three sets of triple tubes on turntables on the foc’sle—“they would have had to fire ‘bullets’ as big as a man! Also, see how wide the hull is. That’s for weight and volume. In any real world, of course, races that made war with each other could never advance to build machines like this.”

“That’s a—what did they call it?—a lifeboat?”

“Yes. Analogous to the boats on a Spaceship. Used for going ashore when the water was not deep enough for the main ship to go right in. And for emergencies, I suppose. Not very nice to have to get into such a thing when your ship was sinking in a storm, though. I bet the sailors on”—he read the name and date on the model’s stand—“the HMS Nelson of 1928 would envy your conveniences. The other was called the HMS Rodney. Of course civilization was long established then. I don’t know what the names mean, but they were built the same. Perhaps a bit like us . . . It might matter, you know.”

This last was their private cryptic, indicated by inflection. Satellites could detect key-words. “Quixotic” had gone from the unrestricted vocabulary, but she knew something of his mission that dared not speak its name.

A strange linkage between them. It had been suggested that she had some telepathic potential, but she refused to be tested. Her internal life was complex enough, and if she had any abilities, latent or otherwise, in that direction, she did not want to know it. Without proper shields and controls telepathy might be a fatal gift.

Modern research hinted that telepathy had killed the Neanderthals, making them too vulnerable, too able to empathize with the pain of prey, of competitors, and of one another. Modern telepaths—the very few there were—tended to be abnormal in a number of ways, and often desperately disturbed. She had met a few when the idea of testing her was raised and that had been more than enough.

Arthur and Selina were perhaps lucky to be brother and sister. Otherwise they would undoubtedly at their first meeting have become lovers, in an intense, consuming relationship probably ultimately doomed, for they were consort personalities, not complementary ones. As it was, there was much of closeness and comfort they could give each other which no lover or husband or wife could touch, in a relationship that had no sexual tension or jealousy about it.

A last night of delicate, careful talk. Then it was time for her to board the shuttle to the Happy Gatherer in its parking orbit. They had driven to the field together, under the gaze of the preserved monoliths.

Angel’s Pencil

“We’ve lost the wreckage.” Steve Weaver turned from the instrument console and stood up. The remnants of the alien enemy had dwindled and vanished on the last screen.

“And no more headaches.” Sue Bhang’s eyes beseeched him for reassurance.

“No more headaches. Maybe never again.”

The nightmare still pressed against them, almost physically, as the Angel’s Pencil drove on its fixed course behind its vast ramscoop field. Ship and crew had changed much since the colony expedition had left Earth. The console was a small cleared space. A colony ship is crowded with cargo at the best of times, but now what had been the few free areas of the Pencil were piled with alien machinery, weapons, and instruments, whole and in pieces. And in the hastily-improvised cold-room (cold, at least, tended to be easily available in Space) were the corpses and salvaged fragments of the things themselves, dissected, fragmented, burned, or—in a few cases—as nearly whole as explosive decompression in vacuum had left them. Jim Davis and Helen Boyd were supervising the filming.

The cadavers were like a declaration