A Week on the Concord and Merrimack Rivers - Henry David Thoreau (best motivational novels .TXT) 📗

the map on the ground, and read in the Gazetteer when the first settlers came here and got a township granted. Then, when supper was done and we had written the journal of our voyage, we wrapped our buffaloes about us and lay down with our heads pillowed on our arms listening awhile to the distant baying of a dog, or the murmurs of the river, or to the wind, which had not gone to rest:⁠—

The western wind came lumbering in,
Bearing a faint Pacific din,
Our evening mail, swift at the call
Of its Postmaster General;
Laden with news from Californ’,
Whate’er transpired hath since morn,
How wags the world by brier and brake
From hence to Athabasca Lake;⁠—

or half awake and half asleep, dreaming of a star which glimmered through our cotton roof. Perhaps at midnight one was awakened by a cricket shrilly singing on his shoulder, or by a hunting spider in his eye, and was lulled asleep again by some streamlet purling its way along at the bottom of a wooded and rocky ravine in our neighborhood. It was pleasant to lie with our heads so low in the grass, and hear what a tinkling ever-busy laboratory it was. A thousand little artisans beat on their anvils all night long.

Far in the night as we were falling asleep on the bank of the Merrimack, we heard some tyro beating a drum incessantly, in preparation for a country muster, as we learned, and we thought of the line⁠—

When the drum beat at dead of night.

We could have assured him that his beat would be answered, and the forces be mustered. Fear not, thou drummer of the night, we too will be there. And still he drummed on in the silence and the dark. This stray sound from a far-off sphere came to our ears from time to time, far, sweet, and significant, and we listened with such an unprejudiced sense as if for the first time we heard at all. No doubt he was an insignificant drummer enough, but his music afforded us a prime and leisure hour, and we felt that we were in season wholly. These simple sounds related us to the stars. Ay, there was a logic in them so convincing that the combined sense of mankind could never make me doubt their conclusions. I stop my habitual thinking, as if the plough had suddenly run deeper in its furrow through the crust of the world. How can I go on, who have just stepped over such a bottomless skylight in the bog of my life. Suddenly old Time winked at me⁠—Ah, you know me, you rogue⁠—and news had come that it was well. That ancient universe is in such capital health, I think undoubtedly it will never die. Heal yourselves, doctors; by God, I live.

Then idle Time ran gadding by
And left me with Eternity alone;
I hear beyond the range of sound,
I see beyond the verge of sight⁠—

I see, smell, taste, hear, feel, that everlasting Something to which we are allied, at once our maker, our abode, our destiny, our very Selves; the one historic truth, the most remarkable fact which can become the distinct and uninvited subject of our thought, the actual glory of the universe; the only fact which a human being cannot avoid recognizing, or in some way forget or dispense with.

It doth expand my privacies
To all, and leave me single in the crowd.

I have seen how the foundations of the world are laid, and I have not the least doubt that it will stand a good while.

Now chiefly is my natal hour,
And only now my prime of life.
I will not doubt the love untold,
Which not my worth nor want hath bought,
Which wooed me young and wooes me old,
And to this evening hath me brought.

What are ears? what is Time? that this particular series of sounds called a strain of music, an invisible and fairy troop which never brushed the dew from any mead, can be wafted down through the centuries from Homer to me, and he have been conversant with that same aerial and mysterious charm which now so tingles my ears? What a fine communication from age to age, of the fairest and noblest thoughts, the aspirations of ancient men, even such as were never communicated by speech, is music! It is the flower of language, thought colored and curved, fluent and flexible, its crystal fountain tinged with the sun’s rays, and its purling ripples reflecting the grass and the clouds. A strain of music reminds me of a passage of the Vedas, and I associate with it the idea of infinite remoteness, as well as of beauty and serenity, for to the senses that is farthest from us which addresses the greatest depth within us. It teaches us again and again to trust the remotest and finest as the divinest instinct, and makes a dream our only real experience. We feel a sad cheer when we hear it, perchance because we that hear are not one with that which is heard.

Therefore a torrent of sadness deep,
Through the strains of thy triumph is heard to sweep.

The sadness is ours. The Indian poet Kālidās says in the Shakuntala: “Perhaps the sadness of men on seeing beautiful forms and hearing sweet music arises from some faint remembrance of past joys, and the traces of connections in a former state of existence.” As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music. That harmony which exists naturally between the hero’s moods and the universe the soldier would fain imitate with drum and trumpet. When we are in health all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. Marching is when the pulse of the hero beats in unison