Shakespeare's Sonnets - William Shakespeare (classic romance novels .TXT) 📗

excuse my jade,—

‘Since from thee going, he went wilful-slow,

Towards thee I’ll run, and give him leave to go.’

 

LII

 

So am I as the rich, whose blessed key,

Can bring him to his sweet up-locked treasure,

The which he will not every hour survey,

For blunting the fine point of seldom pleasure.

Therefore are feasts so solemn and so rare,

Since, seldom coming in that long year set,

Like stones of worth they thinly placed are,

Or captain jewels in the carcanet.

So is the time that keeps you as my chest,

Or as the wardrobe which the robe doth hide,

To make some special instant special-blest,

By new unfolding his imprison’d pride.

Blessed are you whose worthiness gives scope,

Being had, to triumph; being lacked, to hope.

 

LIII

 

What is your substance, whereof are you made,

That millions of strange shadows on you tend?

Since every one, hath every one, one shade,

And you but one, can every shadow lend.

Describe Adonis, and the counterfeit

Is poorly imitated after you;

On Helen’s cheek all art of beauty set,

And you in Grecian tires are painted new:

Speak of the spring, and foison of the year,

The one doth shadow of your beauty show,

The other as your bounty doth appear;

And you in every blessed shape we know.

In all external grace you have some part,

But you like none, none you, for constant heart.

 

LIV

 

O! how much more doth beauty beauteous seem

By that sweet ornament which truth doth give.

The rose looks fair, but fairer we it deem

For that sweet odour, which doth in it live.

The canker blooms have full as deep a dye

As the perfumed tincture of the roses.

Hang on such thorns, and play as wantonly

When summer’s breath their masked buds discloses:

But, for their virtue only is their show,

They live unwoo’d, and unrespected fade;

Die to themselves. Sweet roses do not so;

Of their sweet deaths, are sweetest odours made:

And so of you, beauteous and lovely youth,

When that shall vade, by verse distills your truth.

 

LV

 

Not marble, nor the gilded monuments

Of princes, shall outlive this powerful rhyme;

But you shall shine more bright in these contents

Than unswept stone, besmear’d with sluttish time.

When wasteful war shall statues overturn,

And broils root out the work of masonry,

Nor Mars his sword, nor war’s quick fire shall burn

The living record of your memory.

‘Gainst death, and all-oblivious enmity

Shall you pace forth; your praise shall still find room

Even in the eyes of all posterity

That wear this world out to the ending doom.

So, till the judgment that yourself arise,

You live in this, and dwell in lovers’ eyes.

 

LVI

 

Sweet love, renew thy force; be it not said

Thy edge should blunter be than appetite,

Which but to-day by feeding is allay’d,

To-morrow sharpened in his former might:

So, love, be thou, although to-day thou fill

Thy hungry eyes, even till they wink with fulness,

To-morrow see again, and do not kill

The spirit of love, with a perpetual dulness.

Let this sad interim like the ocean be

Which parts the shore, where two contracted new

Come daily to the banks, that when they see

Return of love, more blest may be the view;

Or call it winter, which being full of care,

Makes summer’s welcome, thrice more wished, more rare.

 

LVII

 

Being your slave what should I do but tend,

Upon the hours, and times of your desire?

I have no precious time at all to spend;

Nor services to do, till you require.

Nor dare I chide the world-without-end hour,

Whilst I, my sovereign, watch the clock for you,

Nor think the bitterness of absence sour,

When you have bid your servant once adieu;

Nor dare I question with my jealous thought

Where you may be, or your affairs suppose,

But, like a sad slave, stay and think of nought

Save, where you are, how happy you make those.

So true a fool is love, that in your will,

Though you do anything, he thinks no ill.

 

LVIII

 

That god forbid, that made me first your slave,

I should in thought control your times of pleasure,

Or at your hand the account of hours to crave,

Being your vassal, bound to stay your leisure!

O! let me suffer, being at your beck,

The imprison’d absence of your liberty;

And patience, tame to sufferance, bide each check,

Without accusing you of injury.

Be where you list, your charter is so strong

That you yourself may privilage your time

To what you will; to you it doth belong

Yourself to pardon of self-doing crime.

I am to wait, though waiting so be hell,

Not blame your pleasure be it ill or well.

 

LIX

 

If there be nothing new, but that which is

Hath been before, how are our brains beguil’d,

Which labouring for invention bear amiss

The second burthen of a former child!

O! that record could with a backward look,

Even of five hundred courses of the sun,

Show me your image in some antique book,

Since mind at first in character was done!

That I might see what the old world could say

To this composed wonder of your frame;

Wh’r we are mended, or wh’r better they,

Or whether revolution be the same.

O! sure I am the wits of former days,

To subjects worse have given admiring praise.

 

LX

 

Like as the waves make towards the pebbled shore,

So do our minutes hasten to their end;

Each changing place with that which goes before,

In sequent toil all forwards do contend.

Nativity, once in the main of light,

Crawls to maturity, wherewith being crown’d,

Crooked eclipses ‘gainst his glory fight,

And Time that gave doth now his gift confound.

Time doth transfix the flourish set on youth

And delves the parallels in beauty’s brow,

Feeds on the rarities of nature’s truth,

And nothing stands but for his scythe to mow:

And yet to times in hope, my verse shall stand.

Praising thy worth, despite his cruel hand.

 

LXI

 

Is it thy will, thy image should keep open

My heavy eyelids to the weary night?

Dost thou desire my slumbers should be broken,

While shadows like to thee do mock my sight?

Is it thy spirit that thou send’st from thee

So far from home into my deeds to pry,

To find out shames and idle hours in me,

The scope and tenure of thy jealousy?

O, no! thy love, though much, is not so great:

It is my love that keeps mine eye awake:

Mine own true love that doth my rest defeat,

To play the watchman ever for thy sake:

For thee watch I, whilst thou dost wake elsewhere,

From me far off, with others all too near.

 

LXII

 

Sin of self-love possesseth all mine eye

And all my soul, and all my every part;

And for this sin there is no remedy,

It is so grounded inward in my heart.

Methinks no face so gracious is as mine,

No shape so true, no truth of such account;

And for myself mine own worth do define,

As I all other in all worths surmount.

But when my glass shows me myself indeed

Beated and chopp’d with tanned antiquity,

Mine own self-love quite contrary I read;

Self so self-loving were iniquity.

‘Tis thee,—myself,—that for myself I praise,

Painting my age with beauty of thy days.

 

LXIII

 

Against my love shall be as I am now,

With Time’s injurious hand crush’d and o’erworn;

When hours have drain’d his blood and fill’d his brow

With lines and wrinkles; when his youthful morn

Hath travell’d on to age’s steepy night;

And all those beauties whereof now he’s king

Are vanishing, or vanished out of sight,

Stealing away the treasure of his spring;

For such a time do I now fortify

Against confounding age’s cruel knife,

That he shall never cut from memory

My sweet love’s beauty, though my lover’s life:

His beauty shall in these black lines be seen,

And they shall live, and he in them still green.

 

LXIV

 

When I have seen by Time’s fell hand defac’d

The rich-proud cost of outworn buried age;

When sometime lofty towers I see down-raz’d,

And brass eternal slave to mortal rage;

When I have seen the hungry ocean gain

Advantage on the kingdom of the shore,

And the firm soil win of the watery main,

Increasing store with loss, and loss with store;

When I have seen such interchange of state,

Or state itself confounded, to decay;

Ruin hath taught me thus to ruminate—

That Time will come and take my love away.

This thought is as a death which cannot choose

But weep to have, that which it fears to lose.

 

LXV

 

Since brass, nor stone, nor earth, nor boundless sea,

But sad mortality o’ersways their power,

How with this rage shall beauty hold a plea,

Whose action is no stronger than a flower?

O! how shall summer’s honey breath hold out,

Against the wrackful siege of battering days,

When rocks impregnable are not so stout,

Nor gates of steel so strong but Time decays?

O fearful meditation! where, alack,

Shall Time’s best jewel from Time’s chest lie hid?

Or what strong hand can hold his swift foot back?

Or who his spoil of beauty can forbid?

O! none, unless this miracle have might,

That in black ink my love may still shine bright.

 

LXVI

 

Tired with all these, for restful death I cry,

As to behold desert a beggar born,

And needy nothing trimm’d in jollity,

And purest faith unhappily forsworn,

And gilded honour shamefully misplac’d,

And maiden virtue rudely strumpeted,

And right perfection wrongfully disgrac’d,

And strength by limping sway disabled

And art made tongue-tied by authority,

And folly—doctor-like—controlling skill,

And simple truth miscall’d simplicity,

And captive good attending captain ill:

Tir’d with all these, from these would I be gone,

Save that, to die, I leave my love alone.

 

LXVII

 

Ah! wherefore with infection should he live,

And with his presence grace impiety,

That sin by him advantage should achieve,

And lace itself with his society?

Why should false painting imitate his cheek,

And steel dead seeming of his living hue?

Why should poor beauty indirectly seek

Roses of shadow, since his rose is true?

Why should he live, now Nature bankrupt is,

Beggar’d of blood to blush through lively veins?

For she hath no exchequer now but his,

And proud of many, lives upon his gains.

O! him she stores, to show what wealth she had

In days long since, before these last so bad.

 

LXVIII

 

Thus is his cheek the map of days outworn,

When beauty lived and died as flowers do now,

Before these bastard signs of fair were born,

Or durst inhabit on a living brow;

Before the golden tresses of the dead,

The right of sepulchres, were shorn away,

To live a second life on second head;

Ere beauty’s dead fleece made another gay:

In him those holy antique hours are seen,

Without all ornament, itself and true,

Making no summer of another’s green,

Robbing no old to dress his beauty new;

And him as for a map doth Nature store,

To show false Art what beauty was of yore.

 

LXIX

 

Those parts of thee that the world’s eye doth view

Want nothing that the thought of hearts can mend;

All tongues—the voice of souls—give thee that due,

Uttering bare truth, even so as foes commend.

Thy outward thus with outward praise is crown’d;

But those same tongues, that give thee so thine own,

In other accents