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upper classes were the recognized and accepted 'drillers' of the new boys, who at once put themselves under their care and criticism. Every spring and fall a certain valley with a grove, north of the college, was the resort of the aspirants for success at this time. The woods would ring with their 'exercises' and strenuous declamation, and I presume it is the same to-day.

"Herrick Johnson had a magnificent voice, well-nigh ruined by his sins against the right method of using it. He soon saw that it was going to be essential for him to go down to the foundation of his wrong methods and break them all up and absolutely eradicate his 'tone.' It was no easy thing to do, but the young man was intensely ambitious, and so he worked with the greatest energy. He failed of an appointment on the 'best four' of his Freshman class. But he worked away throughout his Sophomore year and failed again. The upperclassmen saw his pluck, they recognized his grand voice, and they worked with him during his Junior year, until he had mastered the Mandevillian style, wholly eradicated his 'tone,' corrected all defects, and got his appointment for one of the best four speakers of the Junior year; and on the prize-speaking night of that commencement, he went on the platform conscious of his power and swept everything before him as the Junior prize speaker. It set the standard for that young man. Voice, manner, address, were all masterful and accounted easily for his great success as a public speaker through all his subsequent prominent and successful career in his profession."

A part of the good of "speaking a piece" is to try again, determined to retrieve failure. Success is not always a good thing for a boy or a girl, any more than for a man or a woman. The discipline of failure is sometimes needed. To fail is not always a calamity, if the failure leads to the correction of the faults that lead to failure. Whether it be speaking a piece or learning a lesson or facing a trying situation in business, no matter how many times one has failed, he needs to take to heart the message of Macbeth:

We fail!
But screw your courage to the sticking-point,
And we'll not fail.

Always there is a reward for those who fight against difficulties, who persist in their struggle even when failure follows failure. Everyday the glad story of the sequel to such persistent struggles is recorded. The records of commercial life, of school life, of home life are full of these.


VI
CONQUERING INFIRMITY

Of all obstacles that can stand in the way of courageous conquest, one of the most fatal, in the opinion of many, is blindness. Yet it is not necessary that the loss of the eyes should be the fatal handicap it is almost universally considered. It is a mistake to feel that when a worker has anything seriously and permanently wrong with his eyes he cannot be expected longer to perform tasks that are normal for one who has the full use of all his five senses. In fact, when we hear that a man is going blind we are apt to dismiss with a sigh his chance for continuing productive labor of any sort; we feel that there is little left for him but sitting resignedly in a chimney corner and listening to others read to him or patiently fingering the raised letters provided for the use of the blind.

In protest against this error a novelist has taken for his hero a young man who lost his sight. His friends pitied him, talked dolefully to him, promised to look after him in the days of incapacity. Of course he sank lower and lower in the doleful dumps. Then one came into his life who never seemed to notice his blindness, who talked to him as if he could see, who encouraged him to do things by taking it for granted that they would be performed. Her treatment proved effective; before long the blind man was learning self-reliance, and was well on the road to achievement.

The story was true to life for, times without number, blind men and women have shown their ability to work as effectively as if they could see. More than two hundred years ago a teacher in London named Richard Lucas lost his eyesight. Many of his friends thought that he would, of course, give up all idea of being a useful man; in that day few thought of the possibility of one so afflicted doing anything worth much. But the young man thought differently. He listened to others as they read to him, and completed his studies. He became the author of a dozen volumes, and was among the leaders of his day. One of his greatest works was the book "An Enquiry after Happiness." He knew how to be happy, in spite of his affliction, so he could teach others to follow him.

A little earlier there lived on the farm of a poor Irishman the boy Thomas Carolan. When he was five years old, he had smallpox, a disease that was much more virulent in those days than it is to-day because the treatment required was not understood. As a result the boy lost his sight. Soon he showed a taste for music, and he was able to take a few lessons, in spite of the poverty at home. As a young man he composed hundreds of pieces of music, and it has been said of him that he contributed much towards correcting and enriching the style of national Irish music.

Another youthful victim of smallpox was Thomas Blacklock, the son of a bricklayer in Scotland. "He can't be an artisan now," his friends said. But it did not occur to them that he could be a professional man. His father read him poetry and essays. When he was only twelve the boy began to write poetry in imitation of those whose verses he had heard. After his father's death, when the blind boy was but nineteen, he was more than ever dependent on himself. By the help of a friend he was enabled to go to school for a time. Then he became an author, and, later, a famous preacher. Often, as he walked about, a favorite dog preceded him. On one occasion he heard the hollow sound of the dog's tread on the board covering a deep well, and just in time to avoid stepping on the board himself. The covering was so rotten that he would surely have fallen into the water.

As a boy Francis Huber, of Geneva, Switzerland, was a great student. He insisted on reading by the feeble light of a lamp, or by the light of the moon, even when he was urged not to do so, and the result was blindness. A few years later he married one who rejoiced to be "his companion, his secretary and his observer." He became the greatest authority of his day on bees, although he knew nothing of the subject until after his misfortune. The strange thing is that all his conclusions were based on observation. Among other things he studied the function of the wax, the construction of their combs, the bees' senses and their ability to ventilate the hive by means of their wings. In recognition of his work he was given membership in a number of learned societies. His name must always be connected with the history of early bee investigation.

Not long after the close of the American Revolution James Holman, a British naval officer, lost his eyesight while in Africa. He was then about twenty-five years old. Later he became one of the best known travelers of his day. The world was told of his travels in lectures and in books, and others were also inspired to travel. "What is the use of traveling to one who cannot see?" he was asked at one time. "Does every traveler see all he describes?" he replied. He said that he felt sure he visited, when on his travels, as many interesting places as others, and that, by having the things described to him on the spot, he could form as correct a judgment as his own sight would have enabled him to do.

In 1779 Richmond, Virginia, gave birth to James Wilson, who lost his sight when he was four years old, because of smallpox. He was then on shipboard, and was taken to Belfast, Ireland, where he grew to manhood. When a boy he delivered newspapers to subscribers who lived as far as five miles from the city. When fifteen he used part of his earnings to buy books which he persuaded other boys to read to him. At twenty-one he entered an institution for the blind, for fuller instruction. Then he joined with a circle of mechanics in forming a reading society. One friend promised to read to him every evening such books as he could procure. The hours for reading were from nine to one every night in summer and from seven to eleven every night in the winter. "Often I have traveled three or four miles, in a severe winter night, to be at my post in time," he said once. "Perished with cold and drenched with rain, I have many a time sat down and listened for several hours together to the writings of Plutarch, Rollins, or Clarendon." After seven or eight years of this training, he was "acquainted with almost every work in the English language" his biographer says, perhaps a little extravagantly. His education he used in literary work.

B. B. Bowen was a Massachusetts boy just a century ago. When a babe he lost his sight. In 1833 Dr. Howe—husband of Julia Ward Howe—selected him as one of six blind boys on whom he was to make the first experiments in the instruction of the blind. Later he wrote a book of which eighteen thousand copies were sold.

Another of the men who proved the loss of sight was not a bar to successful work was Thomas R. Lounsbury, the Yale scholar whose studies in Chaucer and Shakespeare made him famous. Toward the close of his busy life he was engaged in a critical study of Tennyson, preparatory to writing an exhaustive book on the life of the great poet. He did not live to complete the work, but he left it in such shape that a friend was able to put it in the hands of the publishers.

In the Introduction to the biography this friend told of the courageous manner in which Professor Lounsbury faced threatening blindness and continued his writing in spite of the danger. We are told that his eyes, never very good, failed him for close and prolonged work. "At best he could depend upon them for no more than two or three hours a day. Sometimes he could not depend upon them at all. That he might not subject them to undue strain, he acquired the habit of writing in the dark. Night after night, using a pencil on coarse paper, he would sketch a series of paragraphs for consideration in the morning. This was almost invariably his custom in later years. Needless to say, these rough drafts are difficult reading for an outsider. Though the lines could be kept reasonably straight, it was impossible for a man enveloped in darkness to dot an i or to cross a t. Moreover, many words were abbreviated, and numerous sentences were left half written out. Every detail, however, was perfectly plain to the author himself. With these detached slips of paper and voluminous notes before him, he composed on a typewriter his various chapters, putting the paragraphs in logical sequence."

Francis Parkman, the historian who made the Indian wars real

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