Artists' Wives - Alphonse Daudet (the best e book reader .TXT) 📗

I repeat that I don't give myself as an example. My opinion is formed by all the sad things I have seen elsewhere; all the misunderstandings so frequent in the households of artists, and caused solely by their abnormal life. Look at that sculptor who, in full maturity of age and talent, has just exiled himself, leaving wife and children behind him. Public opinion condemns him, and certainly I offer no excuse for him. And, nevertheless, I can well understand how he arrived at such a point! Here was a fellow who adored his art, and had a horror of the world, and society. The wife, though amiable and intelligent, instead of shielding him from the social obligations he loathed, condemned him for some ten years to all the exactions they involved. Thus she induced him to undertake a lot of official busts, horrible respectabilities in velvet skull caps, frights of women utterly devoid of grace; she disturbed him ten times a day with importunate visitors, and then every evening laid out for him a dress suit and light gloves, and dragged him from drawing-room to drawing-room. You will tell me he could have rebelled, could have replied point-blank: "No!" But don't you know that the very fact of our sedentary existences leaves us more than other men dependent on domestic influence? The atmosphere of the home envelopes us, and if some touch of the ideal does not lighten it, soon wearies and drags us down. Moreover, the artist as a rule puts what force and energy he has into his work, and after his solitary and patient struggles, finds himself left with no will to oppose to the petty importunities of life. With him, feminine tyrannies have free play. No one is more easily conquered and subdued. Only, beware! He must not be made to feel the yoke too heavily. If one day the invisible bonds with which he is surreptitiously fettered are drawn too tight and arrest the artistic effort, he will all at once tear them asunder, and, mistrusting his own weakness, will fly like our sculptor, over the hills and far away.

The wife of this sculptor was astounded at his flight. The unhappy creature is still wondering: "What can I have done to him?" Nothing. She simply did not understand him. For it is not enough to be good and intelligent to be the true helpmate of an artist, A woman must also possess infinite tact, smiling abnegation; and all this is found only by a miracle in a young creature, curious though ignorant as regards life. She is pretty, she has married a well-known man, received everywhere; why should she not wish to show herself a little on his arm? Is it not quite natural? The husband, on the contrary, growing intolerant of society as his talent progresses, finding time short, and art engrossing, refuses to be exhibited. Behold them both miserable, and whether the man gives in or resists, his life is henceforward turned from its course, and from its tranquillity. Ah! how many of these ill-matched couples have I known, where the wife was sometimes executioner, sometimes victim, but more often executioner, and nearly always unwittingly so! The other evening I was at Dargenty's, the musician. There were but a few guests, and he was asked to play. Hardly had he begun one off those pretty mazurkas with a Polish rhythm, which make him the successor of Chopin, when his wife began to talk, quite low at first, then a little louder. By degrees the fire of conversation spread. At the end of a minute I was the only listener. Then he shut the piano, and said to me with a heart-rent smile: "It is always like this here—my wife does not care for music." Can you imagine anything more terrible than to marry a woman who does not care for your art? Take my word for it, my friend, and don't marry. You are alone, you are free; keep as precious things, your liberty and your loneliness.