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I


The golden hands of the parlor clock point glimmeringly to an hour after midnight, and the house is still. The gas is turned almost out, but the flickering of the dying sea-coal fire in the grate fitfully illumines the forms and faces of two young women, who are seated before it, talking earnestly in low tones. It is apparent from their costumes that they have been spending the evening out.

The fair girl in the low chair, gazing pensively into the fire, is Maud Elliott, the daughter of the house. Not generally called handsome, her features are good and well balanced, and her face is altogether a sweet and wholesome one. She is rather tall, and the most critical admit that she has a fine figure. Her eyes are blue, and their clear, candid expression indicates an unusually sincere and simple character. But, unfortunately, it is only her friends who are fully conversant with the expression of her eyes, for she is very shy. Shyness in little people is frequently piquant, but its effect in girls of the Juno style is too often that of awkwardness. Her friends call Maud Elliott stately; those who do not like her call her stiff; while indifferent persons speak of her as rather too reserved and dignified in manner to be pleasing. In fact, her excess of dignity is merely the cloak of her shyness, and nobody knows better than she that there is too much of it. Those who know her at all well know that she is not dull, but with mere acquaintances she often passes for that. Only her intimate friends are aware what wit and intelligence, what warmth and strength of feeling, her coldness when in company conceals.

No one better understands this, because no one knows her better or has known her longer, than her present companion before the fire, Lucy Mer-ritt. They were roommates and bosom friends at boarding-school; and Lucy, who recently has been married, is now on her first visit to her friend since that event. She is seated on a hassock, with her hands clasped over her knees, looking up at Maud,--an attitude well suited to her _petite_ figure. She is going home on the morrow, or rather on the day already begun; and this fact, together with the absorbing nature of the present conversation, accounts for the lateness of the session.

"And so, Maud," she is saying, while she regards her friend with an expression at once sympathetic and amused,--"and so that is what has been making your letters so dismal lately. I fancied that nothing less could suggest such melancholy views of life. The truth is, I came on this visit as much as anything to find out about him. He is a good-looking fellow, certainly; and, from what little chance I had to form an opinion to-night, seems sensible enough to make it quite incredible that he should not be in love with such a girl in a thousand as you. Are you quite sure he is n't?"

"You had a chance to judge to-night," replied Maud, with a hard little laugh. "You overheard our conversation. 'Good-evening, Miss Elliott; jolly party, is n't it?' That was all he had to say to me, and quite as much as usual. Of course we are old acquaintances, and he 's always pleasant and civil: he couldn't be anything else; but he wastes mighty little time on me. I don't blame him for preferring other girls' society. He would show very little taste if he did not enjoy Ella Perry's company better than that of a tongue-tied thing like me. She is a thousand times prettier and wittier and more graceful than I am."

"Nonsense," exclaimed Lucy. "She is a flirt and a conceited little minx. She is not to be mentioned the same day with you; and he would think so, if he could only get to know you. But how in the world is he ever going to? Why, you seem to be shyer than ever, poor dear. You were actually distant, almost chilling, in your manner towards him to-night, although I know you didn't mean to be."

"I know it. Don't I know it!" groaned Maud. "I always am shyer and stiffer with him than with any one else. O Lucy! you can't guess what a dreadful thing it is to be shy. It is as if you were surrounded by a fog, which benumbs you, and chills all who approach you. I dare say he thinks that I actually dislike him. I could not blame him if he did. And I can't help it. I could never make him understand anything else, unless I told him in so many words."

The tears filled her eyes as she spoke, and hung heavy on the lashes. Lucy took one of her hands in both of hers, and pressed and stroked it caressingly.

"I know you could n't, poor dear, I know you could n't," she said; "and you cannot tell him in so many words because, forsooth, you are a woman. I often think, Maud, what a heap of trouble would be saved if women, when they cannot make themselves understood in other ways, were allowed to speak out as men do, without fear or reproach. Some day they will, when the world gets wiser,--at least I think so. Why should a woman have to hide her love, as if it were a disgraceful secret? Why is it any more a disgrace to her than to a man?"

"I can't quite see what good it would do me," said Maud, "even if women could 'speak out,' as you say. If a man did n't care for one already, I can't see how it would make him know that one cared for him. I should think she would prefer to keep her secret."

"That is n't what men do," replied Lucy. "If they have such a secret, they tell it right away, and that is why they succeed. The way half the women are induced to fall in love is by being told the men are in love with them; you know that."

"But men are different," suggested Maud.

"Not a bit of it: they 're more so, if anything," was the oracular response of the young wife. "Possibly there are men," she continued,-- "the story-tellers say so, anyhow,--who are attracted by repulsion and warmed by coldness, who like resistance for the pleasure of overcoming it. There must be a spice of the tyrant in such men. I wouldn't want to marry one of them. Fortunately, they're not common. I've noticed that love, like lightning, generally takes the path of least resistance with men as well as women. Just suppose now, in your case, that Mr. Burton had followed us home, and had overheard this conversation from behind that door."

"No, no," she added laughing, as Maud looked around apprehensively; "he is n't there. But if he had been there and had overheard you own that you were pining for him, what a lucky chance it would have been! If he, or any other man, once knew that a magnificent girl like you had done him the honor to fall in love with him, half the battle would be won, or I 'm no judge of men. But such lucky eavesdropping only happens in stories and plays; and for lack of it this youth is in a fair way to marry a chit of a girl who does not think half so much of him as you do, and of whom he will never think a quarter what he would of you. He is not, probably, entirely stupid either. All he wants, very likely, is just a hint as to where his true happiness lies: but, being a woman, you can't give it in words; and, being Maud Elliott, you can't give it in any other way, if you died for it. Really, Maud, the canon which makes it a woman's duty to be purely passive in love is exasperating, especially as it does not represent what anybody really believes, but only what they pretend to believe. Everybody knows that unrequited love comes as often to women as to men. Why, then, should n't they have an equal chance to seek requital? Why have not they the same right to look out for the happiness of their lives by all honorable means that men have? Surely it is far more to them to marry the men they love than to a man to marry any particular woman. It seems to me that making suitable matches is not such an easy matter that society can afford to leave the chief part of it to the stupider sex, giving women merely the right of veto. To be sure, even now women who are artful enough manage to evade the prohibition laid on their lips and make their preference known. I am proud to say that I have a royal husband, who would never have looked my way if I had not set out to make him do so; and if I do say it, who should n't, I flatter myself he has a better wife than he could have picked out without my help. There are plenty of women who can say the same thing; but, unluckily, it is the best sort of women, girls like you,--simple, sincere, noble, without arts of any sort,--who can't do this. On them the etiquette that forbids women to reveal their hearts except by subterfuge operates as a total disability. They can only sit with folded hands, looking on, pretending not to mind, while their husbands are run away with by others."

Maud took up the poker and carefully arranged the coals under the grate in a heap. Then she said: "Suppose a girl did what you 've been speaking of. I mean, suppose she really said such a thing to a man,--said that she cared for him, or anything like that,--what do you suppose he would think of her? Don't you fancy she would be in danger of making him think very cheaply of her?"

"If she thought he were that kind of a man," replied Lucy, "I can't understand her ever falling in love with him. Of course, I 'm not saying that he would necessarily respond by falling in love with her. She would have to take her chance of that; but I 'm sure, if he were a gentleman, she need have no fear of his thinking unworthily of her. If I had spoken to Dick in that way, even if he had never wanted to marry me, I know he would have had a soft spot for me in his heart all the rest of his life, out of which even his wife would not have quite crowded me. Why, how do we think of men whom we have refused? Do we despise them? Do we ridicule them? Some girls may, but they are not ladies. A low fellow might laugh at a woman who revealed a fondness for him which he did not return; but a gentleman, never. Her secret would be safe with him."

"Girls!" It was the voice of Mrs. Elliott speaking from the upper hall. "Do you know how late it is? It is after one o'clock."

"I suppose we might as well go to bed," said Lucy. "There's no use sitting up to wait for women to get their rights. They won't get them to-night, I dare say; though, mark my word, some day they will."

"This affair of yours may come out all right yet," she

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