The Country of the Blind - H. G. Wells (scary books to read txt) 📗

to mine, and, similarly, that he has transferred mine to his discarded tenement. Practically, that is, he has changed bodies. But how such a change may be possible is without the range of my philosophy. I have been a materialist for all my thinking life, but here, suddenly, is a clear case of man's detachability from matter.

One desperate experiment I am about to try. I sit writing here before putting the matter to issue. This morning, with the help of a table-knife that I had secreted at breakfast, I succeeded in breaking open a fairly obvious secret drawer in this wrecked writing-desk. I discovered nothing save a little green glass phial containing a white powder. Round the neck of the phial was a label, and thereon was written this one word, "Release." This may be—is most probably—poison. I can understand Elvesham placing poison in my way, and I should be sure that it was his intention so to get rid of the only living witness against him, were it not for this careful concealment. The man has practically solved the problem of immortality. Save for the spite of chance, he will live in my body until it has aged, and then, again, throwing that aside, he will assume some other victim's youth and strength. When one remembers his heartlessness, it is terrible to think of the ever-growing experience that… How long has he been leaping from body to body?… But I tire of writing. The powder appears to be soluble in water. The taste is not unpleasant.

* * * * *

There the narrative found upon Mr. Elvesham's desk ends. His dead body lay between the desk and the chair. The latter had been pushed back, probably by his last convulsions. The story was written in pencil and in a crazy hand, quite unlike his usual minute characters. There remain only two curious facts to record. Indisputably there was some connection between Eden and Elvesham, since the whole of Elvesham's property was bequeathed to the young man. But he never inherited. When Elvesham committed suicide, Eden was, strangely enough, already dead. Twenty-four hours before, he had been knocked down by a cab and killed instantly, at the crowded crossing at the intersection of Gower Street and Euston Road. So that the only human being who could have thrown light upon this fantastic narrative is beyond the reach of questions. Without further comment I leave this extraordinary matter to the reader's individual judgment.

XII. UNDER THE KNIFE.

"What if I die under it?" The thought recurred again and again, as I walked home from Haddon's. It was a purely personal question. I was spared the deep anxieties of a married man, and I knew there were few of my intimate friends but would find my death troublesome chiefly on account of their duty of regret. I was surprised indeed, and perhaps a little humiliated, as I turned the matter over, to think how few could possibly exceed the conventional requirement. Things came before me stripped of glamour, in a clear dry light, during that walk from Haddon's house over Primrose Hill. There were the friends of my youth: I perceived now that our affection was a tradition, which we foregathered rather laboriously to maintain. There were the rivals and helpers of my later career: I suppose I had been cold-blooded or undemonstrative—one perhaps implies the other. It may be that even the capacity for friendship is a question of physique. There had been a time in my own life when I had grieved bitterly enough at the loss of a friend; but as I walked home that afternoon the emotional side of my imagination was dormant. I could not pity myself, nor feel sorry for my friends, nor conceive of them as grieving for me.

I was interested in this deadness of my emotional nature—no doubt a concomitant of my stagnating physiology; and my thoughts wandered off along the line it suggested. Once before, in my hot youth, I had suffered a sudden loss of blood, and had been within an ace of death. I remembered now that my affections as well as my passions had drained out of me, leaving scarce anything but a tranquil resignation, a dreg of self-pity. It had been weeks before the old ambitions and tendernesses and all the complex moral interplay of a man had reasserted themselves. It occurred to me that the real meaning of this numbness might be a gradual slipping away from the pleasure-pain guidance of the animal man. It has been proven, I take it, as thoroughly as anything can be proven in this world, that the higher emotions, the moral feelings, even the subtle unselfishness of love, are evolved from the elemental desires and fears of the simple animal: they are the harness in which man's mental freedom goes. And it may be that as death overshadows us, as our possibility of acting diminishes, this complex growth of balanced impulse, propensity and aversion, whose interplay inspires our acts, goes with it. Leaving what?

I was suddenly brought back to reality by an imminent collision with the butcher-boy's tray. I found that I was crossing the bridge over the Regent's Park Canal, which runs parallel with that in the Zoological Gardens. The boy in blue had been looking over his shoulder at a black barge advancing slowly, towed by a gaunt white horse. In the Gardens a nurse was leading three happy little children over the bridge. The trees were bright green; the spring hopefulness was still unstained by the dusts of summer; the sky in the water was bright and clear, but broken by long waves, by quivering bands of black, as the barge drove through. The breeze was stirring; but it did not stir me as the spring breeze used to do.

Was this dulness of feeling in itself an anticipation? It was curious that I could reason and follow out a network of suggestion as clearly as ever: so, at least, it seemed to me. It was calmness rather than dulness that was coming upon me. Was there any ground for the relief in the presentiment of death? Did a man near to death begin instinctively to withdraw himself from the meshes of matter and sense, even before the cold hand was laid upon his? I felt strangely isolated—isolated without regret—from the life and existence about me. The children playing in the sun and gathering strength and experience for the business of life, the park-keeper gossiping with a nursemaid, the nursing mother, the young couple intent upon each other as they passed me, the trees by the wayside spreading new pleading leaves to the sunlight, the stir in their branches—I had been part of it all, but I had nearly done with it now.

Some way down the Broad Walk I perceived that I was tired, and that my feet were heavy. It was hot that afternoon, and I turned aside and sat down on one of the green chairs that line the way. In a minute I had dozed into a dream, and the tide of my thoughts washed up a vision of the resurrection. I was still sitting in the chair, but I thought myself actually dead, withered, tattered, dried, one eye (I saw) pecked out by birds. "Awake!" cried a voice; and incontinently the dust of the path and the mould under the grass became insurgent. I had never before thought of Regent's Park as a cemetery, but now, through the trees, stretching as far as eye could see, I beheld a flat plain of writhing graves and heeling tombstones. There seemed to be some trouble: the rising dead appeared to stifle as they struggled upward, they bled in their struggles, the red flesh was torn away from the white bones. "Awake!" cried a voice; but I determined I would not rise to such horrors. "Awake!" They would not let me alone. "Wake up!" said an angry voice. A cockney angel! The man who sells the tickets was shaking me, demanding my penny.

I paid my penny, pocketed my ticket, yawned, stretched my legs, and, feeling now rather less torpid, got up and walked on towards Langham Place. I speedily lost myself again in a shifting maze of thoughts about death. Going across Marylebone Road into that crescent at the end of Langham Place, I had the narrowest escape from the shaft of a cab, and went on my way with a palpitating heart and a bruised shoulder. It struck me that it would have been curious if my meditations on my death on the morrow had led to my death that day.

But I will not weary you with more of my experiences that day and the next. I knew more and more certainly that I should die under the operation; at times I think I was inclined to pose to myself. The doctors were coming at eleven, and I did not get up. It seemed scarce worth while to trouble about washing and dressing, and though I read my newspapers and the letters that came by the first post, I did not find them very interesting. There was a friendly note from Addison, my old school-friend, calling my attention to two discrepancies and a printer's error in my new book, with one from Langridge venting some vexation over Minton. The rest were business communications. I breakfasted in bed. The glow of pain at my side seemed more massive. I knew it was pain, and yet, if you can understand, I did not find it very painful. I had been awake and hot and thirsty in the night, but in the morning bed felt comfortable. In the night-time I had lain thinking of things that were past; in the morning I dozed over the question of immortality. Haddon came, punctual to the minute, with a neat black bag; and Mowbray soon followed. Their arrival stirred me up a little. I began to take a more personal interest in the proceedings. Haddon moved the little octagonal table close to the bedside, and, with his broad back to me, began taking things out of his bag. I heard the light click of steel upon steel. My imagination, I found, was not altogether stagnant. "Will you hurt me much?" I said in an off-hand tone.

"Not a bit," Haddon answered over his shoulder. "We shall chloroform you. Your heart's as sound as a bell." And as he spoke, I had a whiff of the pungent sweetness of the anaesthetic.

They stretched me out, with a convenient exposure of my side, and, almost before I realised what was happening, the chloroform was being administered. It stings the nostrils, and there is a suffocating sensation at first. I knew I should die—that this was the end of consciousness for me. And suddenly I felt that I was not prepared for death: I had a vague sense of a duty overlooked—I knew not what. What was it I had not done? I could think of nothing more to do, nothing desirable left in life; and yet I had the strangest disinclination to death. And the physical sensation was painfully oppressive. Of course the doctors did not know they were going to kill me. Possibly I struggled. Then I fell motionless, and a great silence, a monstrous silence, and an impenetrable blackness came upon me.

There must have been an interval of absolute unconsciousness, seconds or minutes. Then with a chilly, unemotional clearness, I perceived that I was not yet dead. I was still in my body; but all the multitudinous sensations that come sweeping from it to make up the background of consciousness had gone, leaving me free of it all. No, not free of it all; for as yet something still held me to the poor stark flesh upon the bed—held me, yet not so closely that I did not feel myself external to it, independent of it, straining away from it. I do not think I saw, I do not think I heard; but I perceived all that was going on, and it was as if I both heard and saw. Haddon was bending over me, Mowbray behind me; the scalpel—it was a large scalpel—was cutting my flesh at the side under the flying ribs. It was interesting to see myself cut like cheese, without a pang, without even a qualm. The interest was much of a quality with that one might feel in a game of chess between strangers. Haddon's face was firm and his hand steady; but I was surprised to perceive (how I know not) that he was feeling the