The Country of the Blind - H. G. Wells (scary books to read txt) 📗

and fell with his ribs across the side, and his arm and the mass of tentacles about it splashed back into the water. He rolled over; his boot kicked Mr. Fison's knee as that gentleman rushed forward to seize him, and in another moment fresh tentacles had whipped about his waist and neck, and after a brief, convulsive struggle, in which the boat was nearly capsized, Hill was lugged overboard. The boat righted with a violent jerk that all but sent Mr. Fison over the other side, and hid the struggle in the water from his eyes.

He stood staggering to recover his balance for a moment, and as he did so he became aware that the struggle and the inflowing tide had carried them close upon the weedy rocks again. Not four yards off a table of rock still rose in rhythmic movements above the in-wash of the tide. In a moment Mr. Fison seized the oar from Ewan, gave one vigorous stroke, then dropping it, ran to the bows and leapt. He felt his feet slide over the rock, and, by a frantic effort, leapt again towards a further mass. He stumbled over this, came to his knees, and rose again.

"Look out!" cried someone, and a large drab body struck him. He was knocked flat into a tidal pool by one of the workmen, and as he went down he heard smothered, choking cries, that he believed at the time came from Hill. Then he found himself marvelling at the shrillness and variety of Hill's voice. Someone jumped over him, and a curving rush of foamy water poured over him, and passed. He scrambled to his feet dripping, and without looking seaward, ran as fast as his terror would let him shoreward. Before him, over the flat space of scattered rocks, stumbled the two work-men—one a dozen yards in front of the other.

He looked over his shoulder at last, and seeing that he was not pursued, faced about. He was astonished. From the moment of the rising of the cephalopods out of the water he had been acting too swiftly to fully comprehend his actions. Now it seemed to him as if he had suddenly jumped out of an evil dream.

For there were the sky, cloudless and blazing with the afternoon sun, the sea weltering under its pitiless brightness, the soft creamy foam of the breaking water, and the low, long, dark ridges of rock. The righted boat floated, rising and falling gently on the swell about a dozen yards from shore. Hill and the monsters, all the stress and tumult of that fierce fight for life, had vanished as though they had never been.

Mr. Fison's heart was beating violently; he was throbbing to the finger-tips, and his breath came deep.

There was something missing. For some seconds he could not think clearly enough what this might be. Sun, sky, sea, rocks—what was it? Then he remembered the boat-load of excursionists. It had vanished. He wondered whether he had imagined it. He turned, and saw the two workmen standing side by side under the projecting masses of the tall pink cliffs. He hesitated whether he should make one last attempt to save the man Hill. His physical excitement seemed to desert him suddenly, and leave him aimless and helpless. He turned shoreward, stumbling and wading towards his two companions.

He looked back again, and there were now two boats floating, and the one farthest out at sea pitched clumsily, bottom upward.

III.

So it was Haploteuthis ferox made its appearance upon the Devonshire coast. So far, this has been its most serious aggression. Mr. Fison's account, taken together with the wave of boating and bathing casualties to which I have already alluded, and the absence of fish from the Cornish coasts that year, points clearly to a shoal of these voracious deep-sea monsters prowling slowly along the sub-tidal coast-line. Hunger migration has, I know, been suggested as the force that drove them hither; but, for my own part, I prefer to believe the alternative theory of Hemsley. Hemsley holds that a pack or shoal of these creatures may have become enamoured of human flesh by the accident of a foundered ship sinking among them, and have wandered in search of it out of their accustomed zone; first waylaying and following ships, and so coming to our shores in the wake of the Atlantic traffic. But to discuss Hemsley's cogent and admirably-stated arguments would be out of place here.

It would seem that the appetites of the shoal were satisfied by the catch of eleven people—for, so far as can be ascertained, there were ten people in the second boat, and certainly these creatures gave no further signs of their presence off Sidmouth that day. The coast between Seaton and Budleigh Salterton was patrolled all that evening and night by four Preventive Service boats, the men in which were armed with harpoons and cutlasses, and as the evening advanced, a number of more or less similarly equipped expeditions, organised by private individuals, joined them. Mr. Fison took no part in any of these expeditions.

About midnight excited hails were heard from a boat about a couple of miles out at sea to the south-east of Sidmouth, and a lantern was seen waving in a strange manner to and fro and up and down. The nearer boats at once hurried towards the alarm. The venturesome occupants of the boat—a seaman, a curate, and two schoolboys—had actually seen the monsters passing under their boat. The creatures, it seems, like most deep-sea organisms, were phosphorescent, and they had been floating, five fathoms deep or so, like creatures of moonshine through the blackness of the water, their tentacles retracted and as if asleep, rolling over and over, and moving slowly in a wedge-like formation towards the south-east.

These people told their story in gesticulated fragments, as first one boat drew alongside and then another. At last there was a little fleet of eight or nine boats collected together, and from them a tumult, like the chatter of a market-place, rose into the stillness of the night. There was little or no disposition to pursue the shoal, the people had neither weapons nor experience for such a dubious chase, and presently—even with a certain relief, it may be—the boats turned shoreward.

And now to tell what is perhaps the most astonishing fact in this whole astonishing raid. We have not the slightest knowledge of the subsequent movements of the shoal, although the whole south-west coast was now alert for it. But it may, perhaps, be significant that a cachalot was stranded off Sark on June 3. Two weeks and three days after this Sidmouth affair, a living Haploteuthis came ashore on Calais sands. It was alive, because several witnesses saw its tentacles moving in a convulsive way. But it is probable that it was dying. A gentleman named Pouchet obtained a rifle and shot it.

That was the last appearance of a living Haploteuthis. No others were seen on the French coast. On the 15th of June a dead carcass, almost complete, was washed ashore near Torquay, and a few days later a boat from the Marine Biological station, engaged in dredging off Plymouth, picked up a rotting specimen, slashed deeply with a cutlass wound. How the former had come by its death it is impossible to say. And on the last day of June, Mr. Egbert Caine, an artist, bathing near Newlyn, threw up his arms, shrieked, and was drawn under. A friend bathing with him made no attempt to save him, but swam at once for the shore. This is the last fact to tell of this extraordinary raid from the deeper sea. Whether it is really the last of these horrible creatures it is, as yet, premature to say. But it is believed, and certainly it is to be hoped, that they have returned now, and returned for good, to the sunless depths of the middle seas, out of which they have so strangely and so mysteriously arisen.

XIV. THE OBLITERATED MAN.

I was—you shall hear immediately why I am not now—Egbert Craddock Cummins. The name remains. I am still (Heaven help me!) Dramatic Critic to the Fiery Cross. What I shall be in a little while I do not know. I write in great trouble and confusion of mind. I will do what I can to make myself clear in the face of terrible difficulties. You must bear with me a little. When a man is rapidly losing his own identity, he naturally finds a difficulty in expressing himself. I will make it perfectly plain in a minute, when once I get my grip upon the story. Let me see—where am I? I wish I knew. Ah, I have it! Dead self! Egbert Craddock Cummins!

In the past I should have disliked writing anything quite so full of "I" as this story must be. It is full of "I's" before and behind, like the beast in Revelation—the one with a head like a calf, I am afraid. But my tastes have changed since I became a Dramatic Critic and studied the masters—G.A.S., G.B.S., G.R.S., and the others. Everything has changed since then. At least the story is about myself—so that there is some excuse for me. And it is really not egotism, because, as I say, since those days my identity has undergone an entire alteration.

That past!… I was—in those days—rather a nice fellow, rather shy— taste for grey in my clothes, weedy little moustache, face "interesting," slight stutter which I had caught in my early life from a schoolfellow. Engaged to a very nice girl, named Delia. Fairly new, she was— cigarettes—liked me because I was human and original. Considered I was like Lamb—on the strength of the stutter, I believe. Father, an eminent authority on postage stamps. She read a great deal in the British Museum. (A perfect pairing ground for literary people, that British Museum—you should read George Egerton and Justin Huntly M'Carthy and Gissing and the rest of them.) We loved in our intellectual way, and shared the brightest hopes. (All gone now.) And her father liked me because I seemed honestly eager to hear about stamps. She had no mother. Indeed, I had the happiest prospects a young man could have. I never went to theatres in those days. My Aunt Charlotte before she died had told me not to.

Then Barnaby, the editor of the Fiery Cross, made me—in spite of my spasmodic efforts to escape—Dramatic Critic. He is a fine, healthy man, Barnaby, with an enormous head of frizzy black hair and a convincing manner, and he caught me on the staircase going to see Wembly. He had been dining, and was more than usually buoyant. "Hullo, Cummins!" he said. "The very man I want!" He caught me by the shoulder or the collar or something, ran me up the little passage, and flung me over the waste-paper basket into the arm-chair in his office. "Pray be seated," he said, as he did so. Then he ran across the room and came back with some pink and yellow tickets and pushed them into my hand. "Opera Comique," he said, "Thursday; Friday, the Surrey; Saturday, the Frivolity. That's all, I think."

"But—" I began.

"Glad you're free," he said, snatching some proofs off the desk and beginning to read.

"I don't quite understand," I said.

"Eigh?" he said, at the top of his voice, as though he thought I had gone and was startled at my remark.

"Do you want me to criticise these plays?"

"Do something with 'em… Did you think it was a treat?"

"But I can't."

"Did you call me a fool?"

"Well, I've never been to a theatre in my life."

"Virgin soil."

"But I don't know anything about it, you know."

"That's just it. New view. No habits. No clichés in stock. Ours is a live paper, not a bag of tricks. None of your clockwork professional journalism in this office. And I can rely on your integrity——"

"But I've conscientious scruples——"

He caught me up suddenly and put me outside his door. "Go and talk to
Wembly about that," he said. "He'll explain."

As I stood perplexed, he opened the door again, said, "I forgot this," thrust a fourth ticket into my hand (it was for that night—in twenty minutes' time) and slammed the door upon me. His expression was quite calm, but I caught his eye.

I hate arguments. I decided that I would take his hint and become (to my own destruction) a Dramatic Critic. I walked slowly down the passage to Wembly. That Barnaby has a remarkable persuasive way. He has made few suggestions during our very pleasant