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***START OF THE PROJECT GUTENBERG EBOOK THE CROSS-CUT***

E-text prepared by Al Haines




Carbide pointing the way, he turned back, pushing the tram before him.

THE CROSS-CUT
BY COURTNEY RYLEY COOPER

WITH FRONTISPIECE BY
GEORGE W. GAGE


BOSTON
LITTLE, BROWN, AND COMPANY
1921


Copyright, 1921,
BY LITTLE, BROWN, AND COMPANY.

All rights reserved

Published May, 1921


TO
G. F. C.

I'VE THREATENED YOU WITH A DEDICATION
FOR A LONG TIME AND HERE IT IS!


TABLE OF CONTENTS
CHAPTER I CHAPTER VIII CHAPTER XV CHAPTER XXII CHAPTER II CHAPTER IX CHAPTER XVI CHAPTER XXIII CHAPTER III CHAPTER X CHAPTER XVII CHAPTER XXIV CHAPTER IV CHAPTER XI CHAPTER XVIII CHAPTER XXV CHAPTER V CHAPTER XII CHAPTER XIX   CHAPTER VI CHAPTER XIII CHAPTER XX   CHAPTER VII CHAPTER XIV CHAPTER XXI  


THE CROSS-CUT
CHAPTER I

It was over. The rambling house, with its rickety, old-fashioned furniture—and its memories—was now deserted, except for Robert Fairchild, and he was deserted within it, wandering from room to room, staring at familiar objects with the unfamiliar gaze of one whose vision suddenly has been warned by the visitation of death and the sense of loneliness that it brings.

Loneliness, rather than grief, for it had been Robert Fairchild's promise that he would not suffer in heart for one who had longed to go into a peace for which he had waited, seemingly in vain. Year after year, Thornton Fairchild had sat in the big armchair by the windows, watching the days grow old and fade into night, studying sunset after sunset, voicing the vain hope that the gloaming might bring the twilight of his own existence,—a silent man except for this, rarely speaking of the past, never giving to the son who worked for him, cared for him, worshiped him, the slightest inkling of what might have happened in the dim days of the long ago to transform him into a beaten thing, longing for the final surcease. And when the end came, it found him in readiness, waiting in the big armchair by the windows. Even now, a book lay on the frayed carpeting of the old room, where it had fallen from relaxing fingers. Robert Fairchild picked it up, and with a sigh restored it to the grim, fumed oak case. His days of petty sacrifices that his father might while away the weary hours with reading were over.

Memories! They were all about him, in the grate with its blackened coals, the old-fashioned pictures on the walls, the almost gloomy rooms, the big chair by the window, and yet they told him nothing except that a white-haired, patient, lovable old man was gone,—a man whom he was wont to call "father." And in that going, the slow procedure of an unnatural existence had snapped for Robert Fairchild. As he roamed about in his loneliness, he wondered what he would do now, where he could go; to whom he could talk. He had worked since sixteen, and since sixteen there had been few times when he had not come home regularly each night, to wait upon the white-haired man in the big chair, to discern his wants instinctively, and to sit with him, often in silence, until the old onyx clock on the mantel had clanged eleven; it had been the same program, day, week, month and year. And now Robert Fairchild was as a person lost. The ordinary pleasures of youth had never been his; he could not turn to them with any sort of grace. The years of servitude to a beloved master had inculcated within him the feeling of self-impelled sacrifice; he had forgotten all thought of personal pleasures for their sake alone. The big chair by the window was vacant, and it created a void which Robert Fairchild could neither combat nor overcome.

What had been the past? Why the silence? Why the patient, yet impatient wait for death? The son did not know. In all his memories was only one faint picture, painted years before in babyhood: the return of his father from some place, he knew not where, a long conference with his mother behind closed doors, while he, in childlike curiosity, waited without, seeking in vain to catch some explanation. Then a sad-faced woman who cried at night when the house was still, who faded and who died. That was all. The picture carried no explanation.

And now Robert Fairchild stood on the threshold of something he almost feared to learn. Once, on a black, stormy night, they had sat together, father and son before the fire, silent for hours. Then the hand of the white-haired man had reached outward and rested for a moment on the young man's knee.

"I wrote something to you, Boy, a day or so ago," he had said. "That little illness I had prompted me to do it. I—I thought it was only fair to you. After I 'm gone, look in the safe. You 'll find the combination on a piece of paper hidden in a hole cut in that old European history in the bookcase. I have your promise, I know—that you 'll not do it until after I 'm gone."

Now Thornton Fairchild was gone. But a message had remained behind; one which the patient lips evidently had feared to utter during life. The heart of the son began to pound, slow and hard, as, with the memory of that conversation, he turned toward the bookcase and unlatched the paneled door. A moment more and the hollowed history had given up its trust, a bit of paper scratched with numbers. Robert Fairchild turned toward the stairs and the small room on the second floor which had served as his father's bedroom.

There he hesitated before the little iron safe in the corner, summoning the courage to unlock the doors of a dead man's past. At last he forced himself to his knees and to the numerals of the combination.

The safe had not been opened in years; that was evident from the creaking of the plungers as they fell, the gummy resistance of the knob as Fairchild turned it in accordance with the directions on the paper. Finally, a great wrench, and the bolt was drawn grudgingly back; a strong pull, and the safe opened.

A few old books; ledgers in sheepskin binding. Fairchild disregarded these for the more important things that might lie behind the little inner door of the cabinet. His hand went forward, and he noticed, in a hazy sort of way, that it was trembling. The door was unlocked; he drew it open and crouched a moment, staring, before he reached for the thinner of two envelopes which lay before him. A moment later he straightened and turned toward the light. A crinkling of paper, a quick-drawn sigh between clenched teeth; it was a letter; his strange, quiet, hunted-appearing father was talking to him through the medium of ink and paper, after death.

Closely written, hurriedly, as though to finish an irksome task in as short a space as possible, the missive was one of several pages,—pages which Robert Fairchild hesitated to read. The secret—and he knew full well that there was a secret—had been in the atmosphere about him ever since he could remember. Whether or not this was the solution of it, Robert Fairchild did not know, and the natural reticence with which he had always approached anything regarding his father's life gave him an instinctive fear, a sense of cringing retreat from anything that might now open the doors of mystery. But it was before him, waiting in his father's writing, and at last his gaze centered; he read:


My son:

Before I begin this letter to you I must ask that you take no action whatever until you have seen my attorney—he will be yours from now on. I have never mentioned him to you before; it was not necessary and would only have brought you curiosity which I could not have satisfied. But now, I am afraid, the doors must be unlocked. I am gone. You are young, you have been a faithful son and you are deserving of every good fortune that may possibly come to you. I am praying that the years have made a difference, and that Fortune may smile upon you as she frowned on me. Certainly, she can injure me no longer. My race is run; I am beyond earthly fortunes.

Therefore, when you have finished with this, take the deeds inclosed in the larger envelope and go to St. Louis. There, look up Henry F. Beamish, attorney-at-law, in the Princess Building. He will explain them to you.

Beyond this, I fear, there is little that can aid you. I cannot find the strength, now that I face it, to tell you what you may find if you follow the lure that the other envelope holds forth to you.

There is always the hope that Fortune may be kind to me at last, and smile upon my memory by never letting you know why I have been the sort of man you have known, and not the jovial, genial companion that a father should be. But there are certain things, my son, which defeat a man. It killed your mother—every day since her death I have been haunted by that fact; my prayer is that it may not kill you, spiritually, if not physically. Therefore is it not better that it remain behind a cloud until such time as Fortune may reveal it—and hope that such a time will never come? I think so—not for myself, for when you read this, I shall be gone; but for you, that you may not be handicapped by the knowledge of the thing which whitened my hair and aged me, long before my time.

If he lives, and I am sure he does, there is one who will hurry to your aid as soon as he knows you need him. Accept his counsels, laugh at his little eccentricities if you will, but follow his judgment implicitly. Above all, ask him no questions that he does not care to answer—there are things that he may not deem wise to tell. It is only fair that he be given the right to choose his disclosures.

There is little more to say. Beamish will attend to everything for you—if you care to go. Sell everything that is here; the house, the furniture, the belongings. It is my wish, and you will need the capital—if you go. The ledgers in the safe are only old accounts which would be so much Chinese to you now. Burn them. There is nothing else to be afraid of—I hope you will never find anything to fear. And if circumstances should arise to bring before you the story of that which has caused me so much darkness, I have nothing to say in self-extenuation. I made one mistake—that of fear—and in committing one error, I shouldered every blame. It makes little difference now. I am dead—and free.

My love to you, my son. I hope that wealth and happiness await you. Blood of my blood flows in your veins—and strange though it may sound to you—it is the blood of an adventurer. I can almost see you smile at that! An old man who sat by the window, staring out; afraid of every knock at the door—and yet an adventurer! But they say, once in the blood, it never dies. My wish is that you succeed where I failed—and God be with you!

Your father.


For a long moment Robert Fairchild stood staring at the letter, his heart pounding with excitement, his hands grasping the foolscap paper as though with a desire to tear through the shield which the written words had formed about a mysterious past and disclose that which was so effectively hidden.

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