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is there.

[The BISHAREENS run off through the little door.]


A NOTABLE

Not to interfere with old ways is wisest.


ANOTHER

Indeed, it would have been well for him.

[The BISHAREENS begin to return looking all about them like disappointed hounds.]


A BISHAREEN

He is not there, master.


HAFIZ

Not there? Not there? Why, there is no door beyond. He must needs be there, and his chief spy with him.

SHEIK [off]

He is not here.

MIRALDA [turning round and clawing the wall]

O, I was weary of him. I was weary of him.


HAFIZ

Be comforted, pearl of the morning; he is gone.


MIRALDA

When I am weary of a man he must die.

[He embraces her knees.]

ZAGBOOLA [who has come on with a little crowd that followed the BISHAREENS. She is blind.]

Lead me to Hafiz. I am the mother of Hafiz. Lead me to Hafiz. [They lead her near.] Hafiz! Hafiz!

[She finds his shoulder and tries to drag him away.]


HAFIZ

Go! Go! I have found the sole pearl of the innermost deeps of the sea.

[He is kneeling and kissing MIRALDA's hand. ZAGBOOLA wails.]

Curtain





ACT IV SCENE 1

Three years elapse.

Scene: The street outside the Acacias.

Time: Evening.

[Ali leans on a pillar-box watching. John shuffles on L. He is miserably dressed, an Englishman down on his luck. A nightingale sings far off.]


JOHN

A nightingale here. Well, I never.

Al Shaldomir, Al Shaldomir, The nightingales that guard thy ways Cease not to give thee, after God And after Paradise, all praise...

The infernal place! I wish I had never seen it! Wonder what set me thinking of that?

[The nightingale sings another bar. JOHN turns to his left and walks down the little path that leads to the door of the Acacias.]

I mustn't come here. Mustn't come to a fine house like this. Mustn't. Mustn't.

[He draws near it reluctantly. He puts his hand to the bell and withdraws it. Then he rings and snatches his hand away. He prepares to run away. Finally he rings it repeatedly, feverishly, violently.

Enter LIZA, opening the door.]


LIZA

Ullo, 'Oo's this!


JOHN

I oughtn't to have rung, miss, I know. I oughtn't to have rung your bell; but I've seen better days, and wondered if—I wondered...


LIZA

I oughtn't to 'ave opened the door, that's wot I oughtn't. Now I look at you, I oughtn't to 'ave opened it. Wot does you want?


JOHN

O, don't turn me away now, miss. I must come here. I must.


LIZA

Must? Why?


JOHN

I don't know.


LIZA

Wot do you want?


JOHN

Who lives here?


LIZA

Mr. and Mrs. Cater; firm of Briggs, Cater, and Johnstone. What do you want?


JOHN

Could I see Mr. Cater?


LIZA

He's out. Dining at the Mansion House.

JOHN

Oh.


LIZA

He is.


JOHN

Could I see Mrs. Cater?


LIZA

See Mrs. Cater? No, of course you couldn't.

[She prepares to shut the door.]


JOHN

Miss! Miss! Don't go, miss. Don't shut me out. If you knew what I'd suffered, if you knew what I'd suffered. Don't!

LIZA [coming forward again]

Suffered? Why? Ain't you got enough to eat?


JOHN

No, I've had nothing all day.


LIZA

'Aven't you really now?


JOHN

No. And I get little enough at any time.


LIZA [kindly]

You ought to work.


JOHN

I... I can't. I can't bring myself... I've seen better times.


LIZA

Still, you could work.


JOHN

I—I can't grub for halfpennies when I've —when I've...


LIZA

When you've what?


JOHN

Lost millions.

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