Emile - Jean-Jacques Rousseau (english novels for beginners txt) 📗

of parents and tutor, abandon themselves to their blissful illusions; in the intoxication of passion they are advancing step by step to its consummation; with flowers and garlands they are weaving the bonds which are to bind them till death do part. I am carried away by this succession of pictures, I am so happy that I cannot group them in any sort of order or scheme; any one with a heart in his breast can paint the charming picture for himself and realise the different experiences of father, mother, daughter, tutor, and pupil, and the part played by each and all in the union of the most delightful couple whom love and virtue have ever led to happiness.

Now that he is really eager to please, Emile begins to feel the value of the accomplishments he has acquired. Sophy is fond of singing, he sings with her; he does more, he teaches her music.

She is lively and light of foot, she loves skipping; he dances with her, he perfects and develops her untrained movements into the steps of the dance. These lessons, enlivened by the gayest mirth, are quite delightful, they melt the timid respect of love; a lover may enjoy teaching his betrothed—he has a right to be her teacher.

There is an old spinet quite out of order. Emile mends and tunes it; he is a maker and mender of musical instruments as well as a carpenter; it has always been his rule to learn to do everything he can for himself. The house is picturesquely situated and he makes several sketches of it, in some of which Sophy does her share, and she hangs them in her father’s study. The frames are not gilded, nor do they require gilding. When she sees Emile drawing, she draws too, and improves her own drawing; she cultivates all her talents, and her grace gives a charm to all she does. Her father and mother recall the days of their wealth, when they find themselves surrounded by the works of art which alone gave value to wealth; the whole house is adorned by love; love alone has enthroned among them, without cost or effort, the very same pleasures which were gathered together in former days by dint of toil and money.

As the idolater gives what he loves best to the shrine of the object of his worship, so the lover is not content to see perfection in his mistress, he must be ever trying to add to her adornment. She does not need it for his pleasure, it is he who needs the pleasure of giving, it is a fresh homage to be rendered to her, a fresh pleasure in the joy of beholding her. Everything of beauty seems to find its place only as an accessory to the supreme beauty.

It is both touching and amusing to see Emile eager to teach Sophy everything he knows, without asking whether she wants to learn it or whether it is suitable for her. He talks about all sorts of things and explains them to her with boyish eagerness; he thinks he has only to speak and she will understand; he looks forward to arguing, and discussing philosophy with her; everything he cannot display before her is so much useless learning; he is quite ashamed of knowing more than she.

So he gives her lessons in philosophy, physics, mathematics, history, and everything else. Sophy is delighted to share his enthusiasm and to try and profit by it. How pleased Emile is when he can get leave to give these lessons on his knees before her! He thinks the heavens are open. Yet this position, more trying to pupil than to teacher, is hardly favourable to study. It is not easy to know where to look, to avoid meeting the eyes which follow our own, and if they meet so much the worse for the lesson.

Women are no strangers to the art of thinking, but they should only skim the surface of logic and metaphysics. Sophy understands readily, but she soon forgets. She makes most progress in the moral sciences and aesthetics; as to physical science she retains some vague idea of the general laws and order of this world. Sometimes in the course of their walks, the spectacle of the wonders of nature bids them not fear to raise their pure and innocent hearts to nature’s God; they are not afraid of His presence, and they pour out their hearts before him.

What! Two young lovers spending their time together talking of religion! Have they nothing better to do than to say their catechism!

What profit is there in the attempt to degrade what is noble? Yes, no doubt they are saying their catechism in their delightful land of romance; they are perfect in each other’s eyes; they love one another, they talk eagerly of all that makes virtue worth having.

Their sacrifices to virtue make her all the dearer to them. Their struggles after self-control draw from them tears purer than the dew of heaven, and these sweet tears are the joy of life; no human heart has ever experienced a sweeter intoxication. Their very renunciation adds to their happiness, and their sacrifices increase their self-respect. Sensual men, bodies without souls, some day they will know your pleasures, and all their life long they will recall with regret the happy days when they refused the cup of pleasure.

In spite of this good understanding, differences and even quarrels occur from time to time; the lady has her whims, the lover has a hot temper; but these passing showers are soon over and only serve to strengthen their union. Emile learns by experience not to attach too much importance to them, he always gains more by the reconciliation than he lost by the quarrel. The results of the first difference made him expect a like result from all; he was mistaken, but even if he does not make any appreciable step forward, he has always the satisfaction of finding Sophy’s genuine concern for his affection more firmly established. “What advantage is this to him?” you would ask. I will gladly tell you; all the more gladly because it will give me an opportunity to establish clearly a very important principle, and to combat a very deadly one.

Emile is in love, but he is not presuming; and you will easily understand that the dignified Sophy is not the sort of girl to allow any kind of familiarity. Yet virtue has its bounds like everything else, and she is rather to be blamed for her severity than for indulgence; even her father himself is sometimes afraid lest her lofty pride should degenerate into a haughty spirit. When most alone, Emile dare not ask for the slightest favour, he must not even seem to desire it; and if she is gracious enough to take his arm when they are out walking, a favour which she will never permit him to claim as a right, it is only occasionally that he dare venture with a sigh to press her hand to his heart. However, after a long period of self-restraint, he ventured secretly to kiss the hem of her dress, and several times he was lucky enough to find her willing at least to pretend she was not aware of it. One day he attempts to take the same privilege rather more openly, and Sophy takes it into her head to be greatly offended. He persists, she gets angry and speaks sharply to him; Emile will not put up with this without reply; the rest of the day is given over to sulks, and they part in a very ill temper.

Sophy is ill at ease; her mother is her confidant in all things, how can she keep this from her? It is their first misunderstanding, and the misunderstanding of an hour is such a serious business.

She is sorry for what she has done, she has her mother’s permission and her father’s commands to make reparation.

The next day Emile returns somewhat earlier than usual and in a state of some anxiety. Sophy is in her mother’s dressing-room and her father is also present. Emile enters respectfully but gloomily.

Scarcely have her parents greeted him than Sophy turns round and holding out her hand asks him in an affectionate tone how he is.

That pretty hand is clearly held out to be kissed; he takes it but does not kiss it. Sophy, rather ashamed of herself, withdraws her hand as best she may. Emile, who is not used to a woman’s whims, and does not know how far caprice may be carried, does not forget so easily or make friends again all at once. Sophy’s father, seeing her confusion, completes her discomfiture by his jokes. The poor girl, confused and ashamed, does not know what to do with herself and would gladly have a good cry. The more she tries to control herself the worse she feels; at last a tear escapes in spite of all she can do to prevent it. Emile, seeing this tear, rushes towards her, falls on his knees, takes her hand and kisses it again and again with the greatest devotion. “My word, you are too kind to her,” says her father, laughing; “if I were you, I should deal more severely with these follies, I should punish the mouth that wronged me.” Emboldened by these words, Emile turns a suppliant eye towards her mother, and thinking she is not unwilling, he tremblingly approaches Sophy’s face; she turns away her head, and to save her mouth she exposes a blushing cheek. The daring young man is not content with this; there is no great resistance. What a kiss, if it were not taken under her mother’s eyes. Have a care, Sophy, in your severity; he will be ready enough to try to kiss your dress if only you will sometimes say “No.”

After this exemplary punishment, Sophy’s father goes about his business, and her mother makes some excuse for sending her out of the room; then she speaks to Emile very seriously. “Sir,” she says, “I think a young man so well born and well bred as yourself, a man of feeling and character, would never reward with dishonour the confidence reposed in him by the friendship of this family. I am neither prudish nor over strict; I know how to make excuses for youthful folly, and what I have permitted in my own presence is sufficient proof of this. Consult your friend as to your own duty, he will tell you there is all the difference in the world between the playful kisses sanctioned by the presence of father and mother, and the same freedom taken in their absence and in betrayal of their confidence, a freedom which makes a snare of the very favours which in the parents’ presence were wholly innocent. He will tell you, sir, that my daughter is only to blame for not having perceived from the first what she ought never to have permitted; he will tell you that every favour, taken as such, is a favour, and that it is unworthy of a man of honour to take advantage of a young girl’s innocence, to usurp in private the same freedom which she may permit in the presence of others. For good manners teach us what is permitted in public; but we do not know what a man will permit to himself in private, if he makes himself the sole judge of his conduct.”

After this well-deserved rebuke, addressed rather to me than to my pupil, the good mother leaves us, and I am amazed by her rare prudence, in thinking it a little thing that Emile should kiss her daughter’s lips in her presence, while fearing lest he should venture to kiss her dress when they are alone. When I consider the folly of worldly maxims, whereby real