Maitre Cornelius - Honoré de Balzac (ereader with android .txt) 📗

had and promptly ended. The inhabitants of Tours blamed Tristan l'Hermite secretly for unseemly haste. Guilty or not guilty, the young Touraineans were looked upon as victims, and Cornelius as an executioner. The two families thus thrown into mourning were much respected; their complaints obtained a hearing, and little by little it came to be believed that all the victims whom the king's silversmith had sent to the scaffold were innocent. Some persons declared that the cruel miser imitated the king, and sought to put terror and gibbets between himself and his fellow-men; others said that he had never been robbed at all,--that these melancholy executions were the result of cool calculations, and that their real object was to relieve him of all fear for his treasure.

The first effect of these rumors was to isolate Maitre Cornelius. The Touraineans treated him like a leper, called him the "tortionnaire," and named his house Malemaison. If the Fleming had found strangers to the town bold enough to enter it, the inhabitants would have warned them against doing so. The most favorable opinion of Maitre Cornelius was that of persons who thought him merely baneful. Some he inspired with instinctive terror; others he impressed with the deep respect that most men feel for limitless power and money, while to a few he certainly possessed the attraction of mystery. His way of life, his countenance, and the favor of the king, justified all the tales of which he had now become the subject.

Cornelius travelled much in foreign lands after the death of his persecutor, the Duke of Burgundy; and during his absence the king caused his premises to be guarded by a detachment of his own Scottish guard. Such royal solicitude made the courtiers believe that the old miser had bequeathed his property to Louis XI. When at home, the torconnier went out but little; but the lords of the court paid him frequent visits. He lent them money rather liberally, though capricious in his manner of doing so. On certain days he refused to give them a penny; the next day he would offer them large sums,--always at high interest and on good security. A good Catholic, he went regularly to the services, always attending the earliest mass at Saint-Martin; and as he had purchased there, as elsewhere, a chapel in perpetuity, he was separated even in church from other Christians. A popular proverb of that day, long remembered in Tours, was the saying: "You passed in front of the Fleming; ill-luck will happen to you." Passing in front of the Fleming explained all sudden pains and evils, involuntary sadness, ill-turns of fortune among the Touraineans. Even at court most persons attributed to Cornelius that fatal influence which Italian, Spanish, and Asiatic superstition has called the "evil eye." Without the terrible power of Louis XI., which was stretched like a mantle over that house, the populace, on the slightest opportunity, would have demolished La Malemaison, that "evil house" in the rue du Murier. And yet Cornelius had been the first to plant mulberries in Tours, and the Touraineans at that time regarded him as their good genius. Who shall reckon on popular favor!

A few seigneurs having met Maitre Cornelius on his journeys out of France were surprised at his friendliness and good-humor. At Tours he was gloomy and absorbed, yet always he returned there. Some inexplicable power brought him back to his dismal house in the rue du Murier. Like a snail, whose life is so firmly attached to its shell, he admitted to the king that he was never at ease except under the bolts and behind the vermiculated stones of his little bastille; yet he knew very well that whenever Louis XI. died, the place would be the most dangerous spot on earth for him.

"The devil is amusing himself at the expense of our crony, the torconnier," said Louis XI. to his barber, a few days before the festival of All-Saints. "He says he has been robbed again, but he can't hang anybody this time unless he hangs himself. The old vagabond came and asked me if, by chance, I had carried off a string of rubies he wanted to sell me. 'Pasques-Dieu! I don't steal what I can take,' I said to him."

"Was he frightened?" asked the barber.

"Misers are afraid of only one thing," replied the king. "My crony the torconnier knows very well that I shall not plunder him unless for good reason; otherwise I should be unjust, and I have never done anything but what is just and necessary."

"And yet that old brigand overcharges you," said the barber.

"You wish he did, don't you?" replied the king, with the malicious look at his barber.

"Ventre-Mahom, sire, the inheritance would be a fine one between you and the devil!"

"There, there!" said the king, "don't put bad ideas into my head. My crony is a more faithful man than those whose fortunes I have made--perhaps because he owes me nothing."

For the last two years Maitre Cornelius had lived entirely alone with his aged sister, who was thought a witch. A tailor in the neighborhood declared that he had often seen her at night, on the roof of the house, waiting for the hour of the witches' sabbath. This fact seemed the more extraordinary because it was known to be the miser's custom to lock up his sister at night in a bedroom with iron-barred windows.

As he grew older, Cornelius, constantly robbed, and always fearful of being duped by men, came to hate mankind, with the one exception of the king, whom he greatly respected. He fell into extreme misanthropy, but, like most misers, his passion for gold, the assimilation, as it were, of that metal with his own substance, became closer and closer, and age intensified it. His sister herself excited his suspicions, though she was perhaps more miserly, more rapacious than her brother whom she actually surpassed in penurious inventions. Their daily existence had something mysterious and problematical about it. The old woman rarely took bread from the baker; she appeared so seldom in the market, that the least credulous of the townspeople ended by attributing to these strange beings the knowledge of some secret for the maintenance of life. Those who dabbled in alchemy declared that Maitre Cornelius had the power of making gold. Men of science averred that he had found the Universal Panacea. According to many of the country-people to whom the townsfolk talked of him, Cornelius was a chimerical being, and many of them came into the town to look at his house out of mere curiosity.

The young seigneur whom we left in front of that house looked about him, first at the hotel de Poitiers, the home of his mistress, and then at the evil house. The moonbeams were creeping round their angles, and tinting with a mixture of light and shade the hollows and reliefs of the carvings. The caprices of this white light gave a sinister expression to both edifices; it seemed as if Nature herself encouraged the superstitions that hung about the miser's dwelling. The young man called to mind the many traditions which made Cornelius a personage both curious and formidable. Though quite decided through the violence of his love to enter that house, and stay there long enough to accomplish his design, he hesitated to take the final step, all the while aware that he should certainly take it. But where is the man who, in a crisis of his life, does not willingly listen to presentiments as he hangs above the precipice? A lover worthy of being loved, the young man feared to die before he had been received for love's sake by the countess.

This mental deliberation was so painfully interesting that he did not feel the cold wind as it whistled round the corner of the building, and chilled his legs. On entering that house, he must lay aside his name, as already he had laid aside the handsome garments of nobility. In case of mishap, he could not claim the privileges of his rank nor the protection of his friends without bringing hopeless ruin on the Comtesse de Saint-Vallier. If her husband suspected the nocturnal visit of a lover, he was capable of roasting her alive in an iron cage, or of killing her by degrees in the dungeons of a fortified castle. Looking down at the shabby clothing in which he had disguised himself, the young nobleman felt ashamed. His black leather belt, his stout shoes, his ribbed socks, his linsey-woolsey breeches, and his gray woollen doublet made him look like the clerk of some poverty-stricken justice. To a noble of the fifteenth century it was like death itself to play the part of a beggarly burgher, and renounce the privileges of his rank. But--to climb the roof of the house where his mistress wept; to descend the chimney, or creep along from gutter to gutter to the window of her room; to risk his life to kneel beside her on a silken cushion before a glowing fire, during the sleep of a dangerous husband, whose snores would double their joy; to defy both heaven and earth in snatching the boldest of all kisses; to say no word that would not lead to death or at least to sanguinary combat if overheard,--all these voluptuous images and romantic dangers decided the young man. However slight might be the guerdon of his enterprise, could he only kiss once more the hand of his lady, he still resolved to venture all, impelled by the chivalrous and passionate spirit of those days. He never supposed for a moment that the countess would refuse him the soft happiness of love in the midst of such mortal danger. The adventure was too perilous, too impossible not to be attempted and carried out.

Suddenly all the bells in the town rang out the curfew,--a custom fallen elsewhere into desuetude, but still observed in the provinces, where venerable habits are abolished slowly. Though the lights were not put out, the watchmen of each quarter stretched the chains across the streets. Many doors were locked; the steps of a few belated burghers, attended by their servants, armed to the teeth and bearing lanterns, echoed in the distance. Soon the town, garroted as it were, seemed to be asleep, and safe from robbers and evil-doers, except through the roofs. In those days the roofs of houses were much frequented after dark. The streets were so narrow in the provincial towns, and even in Paris, that robbers could jump from the roofs on one side to those on the other. This perilous occupation was long the amusement of King Charles IX. in his youth, if we may believe the memoirs of his day.

Fearing to present himself too late to the old silversmith, the young nobleman now went up to the door of the Malemaison intending to knock, when, on looking at it, his attention was excited by a sort of vision, which the writers of those days would have called "cornue,"--perhaps with reference to horns and hoofs. He rubbed his eyes to clear his sight, and a thousand diverse sentiments passed through his mind at the spectacle before him. On each side of the door was a face framed in a species of loophole. At first he took these two faces for grotesque masks carved in stone, so angular, distorted, projecting, motionless, discolored were they; but the cold air and the moonlight presently enabled him to distinguish the faint white mist which living breath sent from two purplish noses; then he saw in each hollow face, beneath the shadow of the eyebrows, two eyes of porcelain blue casting clear fire, like those of a wolf crouching in the brushwood as it hears the baying of the hounds.