Textiles and Clothing - Kate Heintz Watson (open ebook TXT) 📗
- Author: Kate Heintz Watson
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18. What is noil; shoddy; felt; flocks?
19. With what dress goods have you had experience, and with what results?
20. What factors determine the use of fabrics?
21. Of what value is the study of textiles? What have you gained by the study of this lesson?
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TEXTILES AND CLOTHING PART IIGood sewing, good pressing, well finished ends and corners, lightness of touch which holds the work without apparently touching it, thus giving to the finished garment a fresh look—all these are important considerations.
The sewing done on wool, silk, and dresses of all kinds differs from that on underwear and white work. Muslin underwear requires frequent washing and ironing, hence the first essential is durability; close, small stitches, all raw edges carefully turned and stitched securely. Seams that are to come close to the body should lie perfectly flat. A round seam would wear out sooner by coming into frequent contact with the washboard and iron, besides irritating the skin. In dressmaking, unless the stitching is used for ornamental purposes, it should never show on the outside.
Periods of beautiful and dignified costume have been periods of fine needlework—one art leading to and helping on the production of the other.
Stitches may be divided into plain and ornamental. The plain stitches are the (1) basting, (2) running, (3) the running and back stitch, (4) half back stitch, (5) back stitch, (6) overhand or whipping stitch, (7) overcast, (8) hemming, and (9) blind or slip stitch.
The ornamental stitches most frequently used are (1) outline, (2) chain, (3) cat or herringbone, (4) blanket or loop, (5) feather, coral or briar, (6) hemstitching, (7) French knots, (8) button hole, and (9) cross stitch. Excepting the cross stitch, these are all variations of the plain and button hole stitches.
The plain stitches may be used for ornamental purposes. The basting stitch is known as Queen Anne darned work. The back stitch, known as "seed work," is used in embroidering letters and monograms. The overhand stitch is used as an ornamental stitch for joining selvages and in hemming. The chain stitch, besides being ornamental, makes one of the best darning stitches, reproducing the stitch in knitting. The cat stitch is also useful in binding down open seams for flannel hems, patching, etc.
(1) Basting proper is used only in the preparation of work to hold the stuff and lining, or any two or more parts of the work together while it is being stitched, none being left in the finished garment. It is also used as a guide for sewing, feather stitching, etc.
The slanting basting stitch or "tacking" is used in dressmaking for holding linings. The needle is pointed towards the worker. Even basting is used for holding several thicknesses of cloth and if the garment is to be fitted, the stitches should be placed rather close. Uneven basting is used for hems and seams to be machine stitched. Several short stitches with one long one are used to baste crape and wiry fabrics, for this method holds them better than stitches of equal length.
All basting should be fastened at start with a knot or knot and back stitch and finished with two or three back stitches. The length of thread may be broken or cut from the spool, but should always be cut from the work. Breaking weakens the fastening and biting off soils delicate work with the moisture from the breath, to say nothing of the injury to the teeth. Basting for large work should usually be done with the goods lying flat on the sewing table.
For ordinary work, basting threads should be cut every few inches and drawn out. In velvet, every alternate stitch should be cut and drawn out on the right side with the pile of the goods. In the basting for velvet where the slanting stitch is used, only one end of the stitch touches the line of the seam—the rest is on the outside of the seam. Silk thread should be used to baste velvet and gauze; the thread should be used for basting.
(2) Running is closely related to basting. It is not used for any seams that have to bear great strain, but for joining seams in this material, gathering, tucking, making cords, etc. The stitches are usually of equal length on both sides. Take one stitch in the seam and hold the goods between the thumb and first finger of each hand, as shown in the illustration, with the back of the thimble on the eye of the needle. Then, with as free wrist motion as possible, run or shake the needle through the material. The motion of the hand should come from the elbow joint.
Gathering, gauging, casing, etc., are used for drawing up the fullness of skirts, ruffles, flounces, etc., into a given space. The running stitch is used for these.
For gathering, the cloth is held in the same manner as for running. The needle, ordinarily, need not be taken out of the work, the stitches being pushed back over the eye as they are made; but for running long skirt seams in delicate material which would crinkle at the line of sewing and roughen the seam, the needle should be drawn through and the line of sewing smoothed on the thread at each needleful of stitches.
Never use a double thread for gathering, as it is apt to knot, but put in two lines of gathering threads—one a full one-eighth of an inch below the other—and slip the stitches along the needle as described above. This method is a saving of time in the end. When the gathering threads are in, remove the needle, place a pin vertically close to the last stitch, and wind the thread around it a few times in the form of a figure eight. Use a coarse needle for stroking. Hold the work between the thumb and fingers of the left hand with the thumb on the gathering threads. To place the gathers, put the point of the needle under the lower gathering thread and press the plait or gather under the thumb, drawing the needle down, or simply pressing on the needle. Care must be taken not to scratch or tear the material. Continue entirely across the gathers, putting the needle under each stitch and holding the plait firmly between the thumb and finger: turn the material and stroke the upper edge of the gathers.
The gauging stitch is usually longer on the face than on the back, draws the material up into distinct plaits, making it easy to dispose of the fullness neatly, regularly and securely by overhanding the top edge of each plait to the bottom edge of the band. The right side of the skirt and the right side of the belt are placed against each other and each gather oversewed to the belt. The space into which the material is to be gathered determines the length of the long stitch. The succeeding rows of stitches should be directly under those of the first.
(3) The running and back stitch is made by taking a few running stitches, drawing out the needle and making a back stitch over the last running stitch to strengthen the seam. Care must be taken not to hold the side next the worker too full and not to miss the under material, but to take the stitches even on both sides.
(4) The half-back stitch is made by taking one stitch and placing the needle half way back, then bringing it out twice the length of the stitch and placing the needle half way back each time from where the last stitch ended. The appearance on the right side will be of regular space as in the running stitch.
(5) The back stitch is made by placing the needle back to the last stitch, bringing it out once the length of the last stitch, then placing the needle back into the last stitch, and so on, making the stitches follow each other without any space between. This is used in all places that are to bear great strain.
(6) Overhanding, oversewing, whipping, top sewing are one and the same—small stitches taken over edges, to join folded edges or selvages, for sewing bands on gathers, sewing lace and insertion, and for sewing carpet strips together. The pieces for an overhand seam should be pinned carefully, placing the pins at right angles to the edge. The folded edges or selvages are placed together, the right side of the goods being in. Do not use a knot to begin sewing, but leave the knot end of the thread and sew it in with the first stitches, carrying the thread on top of the seam. To finish off the seam, overhand back over the last few stitches.
In sewing this seam, the goods should be held between the thumb and first finger of the left hand parallel with the chest, not over the end of finger. Point the needle towards the left shoulder, thus giving a slanting stitch. Care should be taken not to pucker or draw the seam. When the seam is finished, it should be opened and pressed flat.
(7) Overcasting is a slanting stitch used to keep raw edges from ravelling. This stitch, like oversewing, may be worked from right to left or from left to right.
The hem stitch and blind or slip stitch will be considered under hems.
ORNAMENTAL STITCHESNever use a knot in any embroidery, but start by running a few stitches along the line which is to be covered.
(1) The outline stitch is the simplest of all embroidery stitches. Take a long stitch on the surface, with the needle pointing towards the chest in the line to be covered, and a short back stitch on the under side of the material. The effect of the under or wrong side of the material is exactly that of an ordinary back stitch. The beauty of this stitch depends upon its regularity and in always keeping the thread on the same side of the needle.
(2) The chain stitch when perfectly done should look like the stitch made by a single-thread machine. This stitch is made by taking the thread toward the worker, and before the needle is drawn out of the cloth the thread is held by the thumb under the point of the needle, as in a buttonhole, making a loop. The needle is inserted in the last loop for the next stitch. The chain stitch is used in modern embroidery as an outline and for darning, but in old embroidery, the outline and chain stitches were used for filling as well. They are found in Persian, Indian, and Italian Renaissance work. Like the feather stitch, the chain stitch is worked towards the worker.
(3) The cat stitch or herringbone
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