The Twelve Lives of Alfred Hitchcock by Edward White (an ebook reader txt) 📗

An Interview with Alfred Hitchcock.” Film Heritage 11 (1976): 15–32.

Maloney, Russell. “What Happens After That?” Profiles, The New Yorker, September 10, 1938.

Mann, Roderick. “Hitchcock: Show Must Go On.” Los Angeles Times, August 8, 1978.

Matthews, Peter. “Vertigo rises: the greatest film of all time?” Sight & Sound, September 2012. https://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/greatest-films-all-time/vertigo-hitchcock-new-number-one.

McBride, Joseph. “Mr. and Mrs. Hitchcock.” Sight & Sound 45, no. 4 (Autumn 1976): 224–25.

McCarten, John. “The Current Cinema.” The New Yorker, October 29, 1955.

Miller, Henry K. “Film Society, The (1925–39).” http://www.screenonline.org.uk/film/id/454755/index.html.

Millstein, Gilbert. “Harrison Horror Story.” New York Times, July 21, 1957.

Montagu, Ivor. “Working with Hitchcock.” Sight & Sound 49, no. 3 (Summer 1980): 189–93.

Moral, Tony Lee. “How Accurate is The Girl?” Broadcast, December 14, 2012. http://www.broadcastnow.co.uk/comment/how-accurate-is-the-girl/5050231.article.

Morfield, June. “The One Man Grace Kelly Couldn’t Say ‘No’ To.” TV Radio Mirror, July 1962.

Nugent, Frank S. “Assignment in Hollywood.” Good Housekeeping, November 1945.

_____. “The Screen in Review.” New York Times, October 12, 1939.

Perkoff, Leslie. “The Censor and Sydney Street.” World Film News, March 12, 1938.

Pratley, Gerald. “Alfred Hitchcock’s Working Credo.” Films in Review 3, no. 10 (December 1952): 500–503.

Pride, Margaret. “Your Fears Are My Life.” Reveille, September 23, 1972.

Reed, Rex. “Film Violence.” Calgary Herald, June 17, 1972.

Reville, Alma. “Cutting and Continuity.” Motion Picture News, January 13, 1923.

Ross, Walter. “Murder in the Mezzanine.” Esquire, January 1954.

Roud, Richard. “The French Line.” Sight & Sound 29, no. 4 (Autumn 1960): 166–71.

Sarris, Andrew. “The Movie Journal.” Village Voice, June 11, 1960.

Saunders, Marya. “My Dad, the Jokester.” Family Weekly, July 21, 1963.

Shanley, John P. “Lady Producer of Thrillers.” New York Times, May 29, 1960.

Smith, H. Allen. “Hitchcock Likes to Smash Cups.” New York World-Telegram, August 28, 1937.

Sussex, Elizabeth. “The Fate of F3080.” Sight & Sound 53, no. 2 (Spring 1984): 92–97.

Taylor, John Russell. “Alfred Hitchcock: Fact and Fiction by John Russell Taylor.” Bloomsbury Reader, April 8, 2013. https://bloomsburyreader.wordpress.com/2013/04/08/alfred-hitchcock-fact-and-fiction-by-john-russell-taylor/.

“Surviving: Alfred Hitchcock.” Sight & Sound 46, no. 3 (Summer 1977): 174–75.

Turner, George E. “Rope—Something Different,” American Cinematographer 66, no. 2 (February 1985): 34–40.

T.H.E. “Meet the Strong, Silent Director!” Sunderland Daily Echo and Shipping Gazette, February 16, 1935.

Thomson, David. “Charms and the Man,” Film Comment 20, no. 1 (February 1984): 58–65.

Underhill, Duncan. “Hitchcock Is Like a Pattern Designer.” New York World-Telegram, April 6, 1940.

Warhol, Andy. “Hitchcock.” Andy Warhol’s Interview, September 1974.

Warwick, Alan. “Alfred Hitchcock’s Tudor Cottage.” Home Chat, February 27, 1932.

Watt, Harry. “Re-Seeing Blackmail.” World Film News 2, no. 1 (April 1937): 15.

Weaver, John D. “The Man Behind the Body.” Holiday, September 1964.

Wehner, Chris. “Chris Wehner: Interview with Rear Window scribe John Michael Hayes.” http://www.screenwritersutopia.com/article/d14ec43e. Originally published in Screenwriter’s Monthly, December 2002.

Weldon, Huw. “Alfred Hitchcock on His Films.” The Listener, August 6, 1964.

Weston Edwards, Joan. “Making Good in the Film Trade.” Unknown publication, February 26, 1927. AHC MHL.

Whitcomb, Jon. “Master of Mayhem.” Cosmopolitan, October 1959.

Wickham, Ben. “Hitchcock Co., Horror Unlimited.” Unknown publication, 1940. AHC MHL.

Wilde, Oscar. “The Philosophy of Dress.” New York Tribune, April 19, 1885.

Williams, J. Danvers. “The Censor Wouldn’t Pass It.” Film Weekly, November 5, 1938.

TELEVISION, RADIO, AND FILM

“Alfred Hitchcock Accepts the AFI Life Achievement Award in 1979.” American Film Institute, March 7, 1979. https://www.youtube.com/watch?v=pb5VdGCQFOM.

Bill Mumy, interview by Archive of American Television, September 3, 2013, Television Academy Foundation, https://interviews.televisionacademy.com/interviews/bill-mumy.

“Blackmail Test Take,” BFI YouTube Channel, https://www.youtube.com/watch?v=7Z8mSwzSQQk.

Britain Through a Lens: The Documentary Film Mob. BBC Four, July 19, 2011.

British Film Institute. “Westcliff Cine Club Visits Mr Hitchcock in Hollywood,” https://player.bfi.org.uk/free/film/watch-westcliff-cine-club-visits-mr-hitchcock-in-hollywood-1963-online.

Cinema: Alfred Hitchcock. DVD extra on Hitchcock: The British Years, UK: Network, 2008. DVD. Originally broadcast, ITV, 1966.

The Dick Cavett Show. ABC, June 8, 1972.

Everyone’s Wicked Uncle. BBC Radio 3, July 27, 1999.

John Michael Hayes, interview by Steven DeRosa, https://www.youtube.com/watch?v=l981MGsT9n4.

Hitchcock at the NFT. BBC One, December 30, 1969.

Hitchcock/Truffaut. Directed by Kent Jones. USA: Dogwoof, 2016. DVD.

The Men Who Made the Movies, “Alfred Hitchcock.” PBS, November 4, 1973.

Omnibus, “It’s Only Another Movie.” BBC One, September 26, 1986.

Reputations, “Hitch: Alfred the Great.” BBC Two, 1999.

Reputations, “Hitch: Alfred the Auteur.” BBC Two, 1999.

Rope: Pro and Con. DVD extra on Hitchcock/Truffaut, 2016.

The Story of Frenzy. DVD extra on Frenzy. Directed by Alfred Hitchcock. UK: Universal, 2005. DVD.

A Talk with Hitchcock. USA: Image Entertainment, 2000. DVD. Originally broadcast as Telescope, “A Talk with Hitchcock,” 1964, CBC.

Time of My Life, “Alfred Hitchcock.” BBC Home Service, August 28, 1966.

“Why Oscar-winner Eva Marie Saint Never Went Hollywood.” CBS News, March 2, 2014, https://www.cbsnews.com/news/why-oscar-winner-eva-marie-saint-never-went-hollywood/.

BOOKS

Abramson, Leslie H. Hitchcock and the Anxiety of Authorship. New York: Palgrave Mac-Millan, 2015.

Abravanel, Genevieve. Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. New York: Oxford University Press, 2012.

Ackland, Rodney, and Elspeth Grant. The Celluloid Mistress, or The Custard Pie of Dr. Caligari. London: Allan Wingate, 1954.

Ackroyd, Peter. Alfred Hitchcock. London: Chatto & Windus, 2015.

_____. London: The Concise Biography. London: Vintage Books, 2012.

Allen, Richard. Hitchcock’s Romantic Irony. New York: Columbia University Press, 2007.

Atkinson, Diane. Rise Up Women!: The Remarkable Lives of the Suffragettes. London: Bloomsbury, 2018.

Auiler, Dan. Hitchcock’s Secret Notebooks. London: Bloomsbury. 1999.

_____. Vertigo: The Making of a Hitchcock Classic. London: Titan, 1999.

Badmington, Neil. Hitchcock’s Magic. Cardiff: University of Wales Press, 2011.

Baer, William. Classic American Films: Conversations with the Screenwriters. Westport, CT, and London: Praeger, 2008.

Balcon, Michael. Michael Balcon Presents: A Lifetime of Films. London: Hutchinson, 1969.

Banner, Lois. American Beauty. New York: Alfred A. Knopf, 1983.

Barr, Charles. English Hitchcock. Moffat, Scotland: Cameron and Hollis, 1999.

_____. Vertigo. London: BFI, 2012.

Barr, Charles, and Alain Kerzoncuf. Hitchcock Lost and Found: The Forgotten Films. Lexington: University Press of Kentucky, 2015.

Bazin, André. The Cinema of Cruelty: From Buñuel to Hitchcock. New York: Seaver Books, 1982.

Belton, John, ed. Alfred Hitchcock’s Rear Window. Cambridge, UK: Cambridge University Press, 2000.

Bennett, Charles. Hitchcock’s Partner in Suspense: The Life of Screenwriter Charles Bennett, ed. John Charles Bennett. Lexington: University of Kentucky, 2014.

Bentley, Toni. Sisters of Salome. Lincoln: University of Nebraska Press, 2005.

Bogdanovich, Peter. “Alfred Hitchcock (1899–1980),” Who the Devil Made It: Conversations with Legendary Film Directors. New York: Ballantine Books, 1997. Kindle.

Bone, James. The Curse of Beauty: The Scandalous & Tragic Life of Audrey Munson, America’s First Supermodel. New York: Simon & Schuster, 2016.

Bordwell, David. Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling. Chicago and London: Chicago University Press, 2017.

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