The Twelve Lives of Alfred Hitchcock by Edward White (an ebook reader txt) 📗

Bruce. James Joyce’s Schooldays. Dublin: Gill and MacMillan, 1982.

Brill, Lesley. The Hitchcock Romance: Love and Irony in Hitchcock’s Films. Princeton, NJ: Princeton University Press, 1988.

Cardiff, Jack. Magic Hour. London: Faber & Faber, 1996.

Carey, John. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880–1939. London: Faber & Faber, 1992.

Cassini, Oleg. In My Own Fashion: An Autobiography. London: Simon & Schuster, 1987.

Chandler, Charlotte. Ingrid: Ingrid Bergman, A Personal Biography. London: Simon & Schuster, 2007.

_____. It’s Only a Movie—Alfred Hitchcock: A Personal Biography. London: Pocket Books, 2006.

Chapman, James. Hitchcock and the Spy Film. London: Bloomsbury, 2017.

Chauncey, George. Gay New York: The Making of the Gay Male World, 1890–1940. London: Flamingo, 1995.

Cohen, Paula Marantz. Alfred Hitchcock: The Legacy of Victorianism. Lexington: University Press of Kentucky, 1995.

Coleman, Herbert. The Man Who Knew Hitchcock: A Hollywood Memoir. Lanham, MD; Toronto; Plymouth, UK: Scarecrow Press, 2007.

Comolli, Jean-Louis. “Fatal Rendezvous.” In Cinema and the Shoah: An Art Confronts the Tragedy of the Twentieth Century, ed. Jean-Michel Frodon, trans. Anna Harrison and Tom Mes. Albany: State University of New York Press, 2010.

Connolly, Cyril. Enemies of Promise. Chicago: University of Chicago Press, 2008.

Conrad, Peter. The Hitchcock Murders. London: Faber & Faber, 2000.

Cotten, Joseph. Vanity Will Get You Somewhere. London: Columbus Books, 1987.

Critser, Greg. Fat Land: How Americans Became the Fattest People in the World. Boston and New York: Houghton Mifflin, 2003.

Cronyn, Hume. A Terrible Liar: A Memoir. New York: William Morrow, 1991.

Davy, Charles. Footnotes to the Film. London: Lovat Dickson, 1937.

Dern, Bruce, with Christopher Fryer and Robert Crane. Things I’ve Said, But Probably Shouldn’t Have: An Unrepentant Memoir. Hoboken, NJ: Wiley, 2007.

DeRosa, Steven. Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes. New York; London: Faber & Faber, 2001.

Durgnat, Raymond. The Strange Case of Alfred Hitchcock. London: Faber & Faber, 1974.

Ebert, Roger. Awake in the Dark: The Best of Roger Ebert, 2nd ed. Chicago: University of Chicago Press, 2017.

Eisner, Lottie. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Davis: University of California Press, 2008.

Eliot, Marc. James Stewart: A Biography. London: Aurum, 2006.

Emerson, Ralph Waldo. English Traits. London and New York: Tauris Parke, 2011.

Fallaci, Oriana. The Egotists: Sixteen Surprising Interviews, trans. Pamela Swinglehurst. Chicago: Henry Regnery, 1968.

Fishgall, Gary. Gregory Peck: A Biography. New York: Scribner, 2002.

Fontaine, Joan. No Bed of Roses. London: W.H. Allen, 1978.

Fox, Kate. Watching the English: The Hidden Rules of English Behaviour. London: Hodder & Stoughton, 2004.

Freedman, Jonathan, ed. The Cambridge Companion to Alfred Hitchcock. New York: Cambridge University Press, 2015.

Freedman, Jonathan, and Richard Millington, eds. Hitchcock’s America. New York and Oxford: Oxford University Press, 1999.

Freeman, David. Last Days of Alfred Hitchcock. Woodstock, NY: Overlook Press, 1984.

Friedman, David M. Wilde in America: Oscar Wilde and the Invention of Modern Celebrity. New York: W. W. Norton, 2014.

Galenson, David. Old Masters and Young Geniuses: The Two Life Cycles of Artistic Creativity. Princeton, NJ, and Oxford: Princeton University Press, 2006.

Gardiner, Juliet. The Thirties: An Intimate History. London: Harper Press, 2010.

Gehring, Wes D. Hitchcock and Humor: Modes of Comedy in Twelve Defining Films. Jefferson, NC: McFarland, 2019.

Gladstone, Kay. “Separate Intentions: The Allied Screening of Concentration Camp Documentaries in Defeated Germany in 1945–46: Death Mills and Memory of the Camps.” In Holocaust and the Moving Image: Representations in Film and Television since 1933. Toby Haggith and Joanna Newman, eds., 50–64. London: Wallflower, 2005.

Glancy, Mark. Hollywood and the Americanization of Britain: From the 1920s to the Present. London and New York: I.B. Tauris, 2013.

_____. When Hollywood Loved Britain: The Hollywood “British” Film, 1930–1945. Manchester and New York: Manchester University Press, 1999.

Glick, Elisa. Materializing Queer Desire: Oscar Wilde to Andy Warhol. Albany: State University of New York Press, 2009.

Gottlieb, Sidney, ed. Alfred Hitchcock Interviews. Jackson: University Press of Mississippi, 2003.

_____. Hitchcock on Hitchcock, Volume 1. London: University of California Press, 1997.

_____. Hitchcock on Hitchcock, Volume 2. Oakland: University of California Press, 2015.

Gottlieb, Sidney, and Christopher Brookhouse, eds. Framing Hitchcock: Selected Essays from the Hitchcock Annual. Detroit: Wayne State University Press, 2002.

Grams, Martin, Jr., and Patrik Wikstrom. The Alfred Hitchcock Presents Companion. Churchville, MD: OTR, 2001.

Granger, Farley. Include Me Out: My Life from Goldwyn to Broadway. New York: St. Martin’s Press, 2007.

Greeley, Andrew. The Catholic Imagination. Berkeley and London: University of California Press, 2000.

Greven, David. Intimate Violence: Hitchcock, Sex, and Queer Theory. New York: Oxford University Press, 2017.

Grierson, John. “Two Reviews.” In Grierson on Documentary, ed. Forsyth Hardy, 71–72. Berkeley: University of California Press, 1971.

Griffin, Susan M., and Alan Nadel, eds. The Men Who Knew Too Much: Henry James and Alfred Hitchcock. Oxford and New York: Oxford University Press, 2012.

Haeffner, Nicholas. Alfred Hitchcock. Harlow: Longman, 2005.

Harding, James, Ivor Novello. London; W.H. Allen, 1987.

Head, Edith, and Jane Kesner Ardmore. The Dress Doctor. Kingswood, UK: World’s Work, 1960.

Head, Edith, and Paddy Calistro. Edith Head’s Hollywood. New York: Dutton, 1983.

Hedren, Tippi. Tippi: A Memoir. New York: William Morrow, 2016. Kindle.

Hill, Daniel Delis. Advertising to the American Woman, 1900–1999. Columbus: Ohio State University Press, 2002.

Hiney, Tom, and Frank MacShane, eds. The Raymond Chandler Papers: Selected Letters and Non-Fiction, 1909–1959. London: Hamish Hamilton, 2000.

Holder, Peter Anthony. Great Conversations. Albany, NY: BearManor Media, 2017.

Honigsbaum, Mark. Living with Enza: The Forgotten Story of Britain and the Great Flu Pandemic of 1918. London: Macmillan, 2009.

Houseman, John. Unfinished Business: Memoirs, 1902–1988. New York: Applause Theatre Books, 1989.

Hunter, Evan. Me and Hitch. London: Faber & Faber, 1997.

Hurley, Neil. Soul in Suspense: Hitchcock’s Fright and Delight. Metuchen, NJ, and London: Scarecrow Press, 1993.

Inwood, Stephen. City of Cities: The Birth of Modern London. London: MacMillan, 2005.

James, Clive. Clive James on Television. London: Picador, 1991.

Jorgensen, Jay. Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer. Philadelphia and London: Running Press, 2010.

Kapsis, Robert. Hitchcock: The Making of a Reputation. Chicago and London: University of Chicago Press, 1992.

Kelly, Ian. Beau Brummell: The Ultimate Dandy. London: Hodder & Stoughton, 2005.

Knowlton, Berry C., and Eloise R. Knowlton. “Murder Mystery Meets Sacred Mystery: The Catholic Sacramental in Hitchcock’s I Confess.” In Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery, ed. Regina Hansen, 196–208. Jefferson, NC: