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McFarland, 2011.

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_____. Backstory 2: Interviews with Screenwriters of the 1940s and 1950s. Berkeley: University of California Press, 1991.

_____. Backstory 3: Interviews with Screenwriters of the 1960s. Berkeley: University of California Press, 1997.

McKittrick, Casey. Hitchcock’s Appetites: The Corpulent Plots of Desire and Dread. New York and London: Bloomsbury, 2016.

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Miller, D. A. Hidden Hitchcock. Chicago and London: University of Chicago Press, 2017.

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Moral, Tony Lee. Hitchcock and the Making of Marnie. Lanham, MD; Toronto; Plymouth, UK: Scarecrow Press, 2013.

_____. The Making of Hitchcock’s The Birds. Harpenden, UK: Kamera Books, 2013. Kindle.

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Olson, Debbie. “The Hitchcock Imp: Children and the Hyperreal in Alfred Hitchcock’s The Birds.” In Lost and Othered Children in Contemporary Cinema, eds. Debbie Olson and Andrew Scahill, 287–306. Plymouth, UK: Lexington, 2014.

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_____. Decline of the English Murder. London: Penguin, 2009.

_____. I Have Tried to Tell the Truth: 1943–1944. London: Secker & Warburg, 1998.

Osteen, Mark, ed. Hitchcock and Adaptation: On the Page and Screen. Lanham, MD, and Plymouth, UK: Rowman and Littlefield, 2014.

Palmer, R. Barton, and David Boyd, eds. Hitchcock at the Source: The Auteur as Adaptor. Albany: State University of New York Press, 2011.

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Raubicheck, Walter. “Working with Hitchcock: A Collaborators’ Forum with Patricia Hitchcock, Janet Leigh, Teresa Wright, and Eva Marie Saint.” In Hitchcock Annual: 2002–03, eds. Sidney Gottlieb and Richard Allen, 32–66. New York: Columbia University, 2003.

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Sharff, Stefan. The Art of Looking in Hitchcock’s Rear Window. New York: Limelight Editions, 1997.

Sklar, Robert. “Death at Work: Hitchcock’s Violence and Spectator Identification.” In After Hitchcock: Influence, Imitation, and Intertexuality, eds. David Boyd and R. Barton Palmer. Austin: University of Texas Press, 2010.

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Smith, Susan. Hitchcock: Suspense, Humour and Tone. London: BFI, 2000.

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_____. The Dark Side of Genius: The Life of Alfred Hitchcock. London: Collins, 1983.

_____. High Society: Grace Kelly and Hollywood. London: Hutchinson, 2005.

_____. Spellbound by Beauty: Alfred Hitchcock and

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