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and the course of our lives to wind on before us like a green lane into a country maze, at the season when fruit-trees are in blossom.

Why should not our whole life and its scenery be actually thus fair and distinct? All our lives want a suitable background. They should at least, like the life of the anchorite, be as impressive to behold as objects in the desert, a broken shaft or crumbling mound against a limitless horizon. Character always secures for itself this advantage, and is thus distinct and unrelated to near or trivial objects, whether things or persons. On this same stream a maiden once sailed in my boat, thus unattended but by invisible guardians, and as she sat in the prow there was nothing but herself between the steersman and the sky. I could then say with the poet⁠—

Sweet falls the summer air
Over her frame who sails with me;
Her way like that is beautifully free,
Her nature far more rare,
And is her constant heart of virgin purity.

At evening still the very stars seem but this maiden’s emissaries and reporters of her progress.

Low in the eastern sky
Is set thy glancing eye;
And though its gracious light
Ne’er riseth to my sight,
Yet every star that climbs
Above the gnarled limbs
Of yonder hill,
Conveys thy gentle will.

Believe I knew thy thought,
And that the zephyrs brought
Thy kindest wishes through,
As mine they bear to you,
That some attentive cloud
Did pause amid the crowd
Over my head,
While gentle things were said.

Believe the thrushes sung,
And that the flower-bells rung,
That herbs exhaled their scent,
And beasts knew what was meant,
The trees a welcome waved,
And lakes their margins laved,
When thy free mind
To my retreat did wind.

It was a summer eve,
The air did gently heave
While yet a low-hung cloud
Thy eastern skies did shroud;
The lightning’s silent gleam,
Startling my drowsy dream,
Seemed like the flash
Under thy dark eyelash.

Still will I strive to be
As if thou wert with me;
Whatever path I take,
It shall be for thy sake,
Of gentle slope and wide,
As thou wert by my side,
Without a root
To trip thy gentle foot.

I’ll walk with gentle pace,
And choose the smoothest place
And careful dip the oar,
And shun the winding shore,
And gently steer my boat
Where water-lilies float,
And cardinal flowers
Stand in their sylvan bowers.

It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfully reflected; too faithfully indeed for art to imitate, for only Nature may exaggerate herself. The shallowest still water is unfathomable. Wherever the trees and skies are reflected, there is more than Atlantic depth, and no danger of fancy running aground. We notice that it required a separate intention of the eye, a more free and abstracted vision, to see the reflected trees and the sky, than to see the river bottom merely; and so are there manifold visions in the direction of every object, and even the most opaque reflect the heavens from their surface. Some men have their eyes naturally intended to the one and some to the other object.

A man that looks on glass,
On it may stay his eye,
Or, if he pleaseth, through it pass,
And the heavens espy.

Two men in a skiff, whom we passed hereabouts, floating buoyantly amid the reflections of the trees, like a feather in midair, or a leaf which is wafted gently from its twig to the water without turning over, seemed still in their element, and to have very delicately availed themselves of the natural laws. Their floating there was a beautiful and successful experiment in natural philosophy, and it served to ennoble in our eyes the art of navigation; for as birds fly and fishes swim, so these men sailed. It reminded us how much fairer and nobler all the actions of man might be, and that our life in its whole economy might be as beautiful as the fairest works of art or nature.

The sun lodged on the old gray cliffs, and glanced from every pad; the bulrushes and flags seemed to rejoice in the delicious light and air; the meadows were a-drinking at their leisure; the frogs sat meditating, all sabbath thoughts, summing up their week, with one eye out on the golden sun, and one toe upon a reed, eyeing the wondrous universe in which they act their part; the fishes swam more staid and soberly, as maidens go to church; shoals of golden and silver minnows rose to the surface to behold the heavens, and then sheered off into more sombre aisles; they swept by as if moved by one mind, continually gliding past each other, and yet preserving the form of their battalion unchanged, as if they were still embraced by the transparent membrane which held the spawn; a young band of brethren and sisters trying their new fins; now they wheeled, now shot ahead, and when we drove them to the shore and cut them off, they dexterously tacked and passed underneath the boat. Over the old wooden bridges no traveller crossed, and neither the river nor the fishes avoided to glide between the abutments.

Here was a village not far off behind the woods, Billerica, settled not long ago, and the children still bear the names of the first settlers in this late “howling wilderness”; yet to all intents and purposes it is as old as Fernay or as Mantua, an old gray town where men grow old and sleep already under moss-grown monuments⁠—outgrow their usefulness. This is ancient Billerica, (Villarica?) now in its dotage, named from the English Billericay, and whose Indian name was Shawshine. I never heard that it was young. See, is not nature here gone to decay, farms all run out, meetinghouse grown gray and racked with age? If you would know of its early youth, ask those old gray rocks in the pasture. It has a bell that sounds sometimes as far as Concord woods; I have heard that⁠—ay, hear it now. No wonder that such a sound startled

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