Germinal - Émile Zola (romantic story to read .TXT) 📗

off the rails at the most difficult spot. He could not roll straight on these rails which sank in the damp earth, and he swore, became angry, and fought furiously with the wheels, which he could not get back into place in spite of exaggerated efforts.

“Wait a bit,” said the young girl. “If you get angry it will never go.” Skilfully she had glided down and thrust her buttocks beneath the tram, and by putting the weight on her loins she raised it and replaced it. The weight was seven hundred kilograms. Surprised and ashamed, he stammered excuses.

She was obliged to show him how to straddle his legs and brace his feet against the planking on both sides of the gallery, in order to give himself a more solid fulcrum. The body had to be bent, the arms made stiff so as to push with all the muscles of the shoulders and hips. During the journey he followed her and watched her proceed with tense back, her fists so low that she seemed trotting on all fours, like one of those dwarf beasts that perform at circuses. She sweated, panted, her joints cracked, but without a complaint, with the indifference of custom, as if it were the common wretchedness of all to live thus bent double. But he could not succeed in doing as much; his shoes troubled him, his body seemed broken by walking in this way with lowered head. At the end of a few minutes the position became a torture, an intolerable anguish, so painful that he got on his knees for a moment to straighten himself and breathe.

Then at the upbrow there was more labour. She taught him to fill his tram quickly. At the top and bottom of this inclined plane, which served all the cuttings from one level to the other, there was a trammer⁠—the brakesman above, the receiver below. These scamps of twelve to fifteen years shouted abominable words to each other, and to warn them it was necessary to yell still more violently. Then, as soon as there was an empty tram to send back, the receiver gave the signal and the putter embarked her full tram, the weight of which made the other ascend when the brakesman loosened his brake. Below, in the bottom gallery, were formed the trains which the horses drew to the shaft.

“Here, you confounded rascals,” cried Catherine in the inclined way, which was wood-lined, about a hundred metres long, and resounded like a gigantic trumpet.

The trammers must have been resting, for neither of them replied. On all the levels haulage had stopped. A shrill girl’s voice said at last:

“One of them must be on Mouquette, sure enough!”

There was a roar of laughter, and the putters of the whole seam held their sides.

“Who is that?” asked Étienne of Catherine.

The latter named little Lydie, a scamp who knew more than she ought, and who pushed her tram as stoutly as a woman in spite of her doll’s arms. As to Mouquette, she was quite capable of being with both the trammers at once.

But the voice of the receiver arose, shouting out to load. Doubtless a captain was passing beneath. Haulage began again on the nine levels, and one only heard the regular calls of the trammers, and the snorting of the putters arriving at the upbrow and steaming like overladen mares. It was the element of bestiality which breathed in the pit, the sudden desire of the male, when a miner met one of these girls on all fours, with her flanks in the air and her hips bursting through her boy’s breeches.

And on each journey Étienne found again at the bottom the stuffiness of the cutting, the hollow and broken cadence of the axes, the deep painful sighs of the pikemen persisting in their work. All four were naked, mixed up with the coal, soaked with black mud up to the cap. At one moment it had been necessary to free Maheu, who was gasping, and to remove the planks so that the coal could fall into the passage. Zacharie and Levaque became enraged with the seam, which was now hard, they said, and which would make the condition of their account disastrous. Chaval turned, lying for a moment on his back, abusing Étienne, whose presence decidedly exasperated him.

“A sort of worm; hasn’t the strength of a girl! Are you going to fill your tub? It’s to spare your arms, eh? Damned if I don’t keep back the ten sous if you get us one refused!”

The young man avoided replying, too happy at present to have found this convict’s labour and accepting the brutal rule of the worker by master worker. But he could no longer walk, his feet were bleeding, his limbs torn by horrible cramps, his body confined in an iron girdle. Fortunately it was ten o’clock, and the stall decided to have breakfast.

Maheu had a watch, but he did not even look at it. At the bottom of this starless night he was never five minutes out. All put on their shirts and jackets. Then, descending from the cutting they squatted down, their elbows to their sides, their buttocks on their heels, in that posture so habitual with miners that they keep it even when out of the mine, without feeling the need of a stone or a beam to sit on. And each, having taken out his brick, bit seriously at the thick slice, uttering occasional words on the morning’s work. Catherine, who remained standing, at last joined Étienne, who had stretched himself out farther along, across the rails, with his back against the planking. There was a place there almost dry.

“You don’t eat?” she said to him, with her mouth full and her brick in her hand.

Then she remembered that this youth, wandering about at night without a sou, perhaps had not a bit of bread.

“Will you share with me?”

And as he refused, declaring that he was not hungry, while his voice trembled