Germinal - Émile Zola (romantic story to read .TXT) 📗

had to escape without being seen, for it was forbidden to go there. It was on the left, at the end of a short gallery. Twenty-five metres in length and nearly four high, cut in the rock and vaulted with bricks, it could contain twenty horses. It was, in fact, comfortable there. There was a pleasant warmth of living beasts, the good odour of fresh and well-kept litter. The only lamp threw out the calm rays of a night-light. There were horses there, at rest, who turned their heads, with their large infantine eyes, then went back to their hay, without haste, like fat well-kept workers, loved by everybody.

But as Catherine was reading aloud their names, written on zinc plates over the mangers, she uttered a slight cry, seeing something suddenly rise before her. It was Mouquette, who emerged in fright from a pile of straw in which she was sleeping. On Monday, when she was overtired with her Sunday’s spree, she gave herself a violent blow on the nose, and left her cutting under the pretence of seeking water, to bury herself here with the horses in the warm litter. Her father, being weak with her, allowed it, at the risk of getting into trouble.

Just then, Mouque, the father, entered, a short, bald, worn-out looking man, but still stout, which is rare in an old miner of fifty. Since he had been made a groom, he chewed to such a degree that his gums bled in his black mouth. On seeing the two with his daughter, he became angry.

“What are you up to there, all of you? Come! up! The jades, bringing a man here! It’s a fine thing to come and do your dirty tricks in my straw.”

Mouquette thought it funny, and held her sides. But Étienne, feeling awkward, moved away, while Catherine smiled at him. As all three returned to the pit-eye, Bébert and Jeanlin arrived there also with a train of tubs. There was a stoppage for the manoeuvring of the cages, and the young girl approached their horse, caressed it with her hand, and talked about it to her companion. It was Bataille, the doyen of the mine, a white horse who had lived below for ten years. These ten years he had lived in this hole, occupying the same corner of the stable, doing the same task along the black galleries without ever seeing daylight. Very fat, with shining coat and a good-natured air, he seemed to lead the existence of a sage, sheltered from the evils of the world above. In this darkness, too, he had become very cunning. The passage in which he worked had grown so familiar to him that he could open the ventilation doors with his head, and he lowered himself to avoid knocks at the narrow spots. Without doubt, also, he counted his turns, for when he had made the regulation number of journeys he refused to do any more, and had to be led back to his manger. Now that old age was coming on, his cat’s eyes were sometimes dimmed with melancholy. Perhaps he vaguely saw again, in the depths of his obscure dreams, the mill at which he was born, near Marchiennes, a mill placed on the edge of the Scarpe, surrounded by large fields over which the wind always blew. Something burnt in the air⁠—an enormous lamp, the exact appearance of which escaped his beast’s memory⁠—and he stood with lowered head, trembling on his old feet, making useless efforts to recall the sun.

Meanwhile, the manoeuvres went on in the shaft, the signal hammer had struck four blows, and the horse was being lowered; there was always excitement at such a time, for it sometimes happened that the beast was seized by such terror that it was landed dead. When put into a net at the top it struggled fiercely; then, when it felt the ground no longer beneath it, it remained as if petrified and disappeared without a quiver of the skin, with enlarged and fixed eyes. This animal being too big to pass between the guides, it had been necessary, when hooking it beneath the cage, to pull down the head and attach it to the flanks. The descent lasted nearly three minutes, the engine being slowed as a precaution. Below, the excitement was increasing. What then? Was he going to be left on the road, hanging in the blackness? At last he appeared in his stony immobility, his eye fixed and dilated with terror. It was a bay horse hardly three years of age, called Trompette.

“Attention!” cried Father Mouque, whose duty it was to receive it. “Bring him here, don’t undo him yet.”

Trompette was soon placed on the metal floor in a mass. Still he did not move: he seemed in a nightmare in this obscure infinite hole, this deep hall echoing with tumult. They were beginning to unfasten him when Bataille, who had just been unharnessed, approached and stretched out his neck to smell this companion who lay on the earth. The workmen jokingly enlarged the circle. Well! what pleasant odour did he find in him? But Bataille, deaf to mockery, became animated. He probably found in him the good odour of the open air, the forgotten odour of the sun on the grass. And he suddenly broke out into a sonorous neigh, full of musical gladness, in which there seemed to be the emotion of a sob. It was a greeting, the joy of those ancient things of which a gust had reached him, the melancholy of one more prisoner who would not ascend again until death.

“Ah! that animal Bataille!” shouted the workmen, amused at the antics of their favourite, “he’s talking with his mate.”

Trompette was unbound, but still did not move. He remained on his flank, as if he still felt the net restraining him, garrotted by fear. At last they got him up with a lash of the whip, dazed and his limbs quivering. And Father Mouque led