Proposed Roads to Freedom - Bertrand Russell (funny books to read txt) 📗

best in creative mental activity cannot be produced by any system of monetary rewards. Opportunity and the stimulus of an invigorating spiritual atmosphere are important, but, if they are presented, no financial inducements will be required, while if they are absent, material compensations will be of no avail. Recognition, even if it takes the form of money, can bring a certain pleasure in old age to the man of science who has battled all his life against academic prejudice, or to the artist who has endured years of ridicule for not painting in the manner of his predecessors; but it is not by the remote hope of such pleasures that their work has been inspired. All the most important work springs from an uncalculating impulse, and is best promoted, not by rewards after the event, but by circumstances which keep the impulse alive and afford scope for the activities which it inspires. In the creation of such circumstances our present system is much at fault. Will Socialism be better?

I do not think this question can be answered without specifying the kind of Socialism that is intended: some forms of Socialism would, I believe, be even more destructive in this respect than the present capitalist regime, while others would be immeasurably better. Three things which a social system can provide or withhold are helpful to mental creation: first, technical training; second, liberty to follow the creative impulse; third, at least the possibility of ultimate appreciation by some public, whether large or small. We may leave out of our discussion both individual genius and those intangible conditions which make some ages great and others sterile in art and science—not because these are unimportant, but because they are too little understood to be taken account of in economic or political organization. The three conditions we have mentioned seem to cover most of what can be SEEN to be useful or harmful from our present point of view, and it is therefore to them that we shall confine ourselves.

1. Technical Training.—Technical training at present, whether in science or art, requires one or other of two conditions. Either a boy must be the son of well-to-do parents who can afford to keep him while he acquires his education, or he must show so much ability at an early age as to enable him to subsist on scholarships until he is ready to earn his living. The former condition is, of course, a mere matter of luck, and could not be preserved in its present form under any kind of Socialism or Communism. This loss is emphasized by defenders of the present system, and no doubt it would be, to same extent, a real loss. But the well-to-do are a small proportion of the population, and presumably on the average no more talented by nature than their less fortunate contemporaries. If the advantages which are enjoyed now by those few among them who are capable of good work in science or art could be extended, even in a slightly attenuated form, to all who are similarly gifted, the result would almost infallibly be a gain, and much ability which is now wasted would be rendered fruitful. But how is this to be effected?

The system of scholarships obtained by competition, though better than nothing, is objectionable from many points of view. It introduces the competitive spirit into the work of the very young; it makes them regard knowledge from the standpoint of what is useful in examinations rather than in the light of its intrinsic interest or importance; it places a premium upon that sort of ability which is displayed precociously in glib answers to set questions rather than upon the kind that broods on difficulties and remains for a time rather dumb. What is perhaps worse than any of these defects is the tendency to cause overwork in youth, leading to lack of vigor and interest when manhood has been reached. It can hardly be doubted that by this cause, at present, many fine minds have their edge blunted and their keenness destroyed.

State Socialism might easily universalize the system of scholarships obtained by competitive examination, and if it did so it is to he feared that it would be very harmful. State Socialists at present tend to be enamored of the systems which is exactly of the kind that every bureaucrat loves: orderly, neat, giving a stimulus to industrious habits, and involving no waste of a sort that could be tabulated in statistics or accounts of public expenditure. Such men will argue that free higher education is expensive to the community, and only useful in the case of those who have exceptional abilities; it ought, therefore, they will say, not to be given to all, but only to those who will become more useful members of society through receiving it. Such arguments make a great appeal to what are called ``practical'' men, and the answers to them are of a sort which it is difficult to render widely convincing. Revolt against the evils of competition is, however, part of the very essence of the Socialist's protest against the existing order, and on this ground, if on no other, those who favor Socialism may be summoned to look for some better solution.

Much the simplest solution, and the only really effective one, is to make every kind of education free up to the age of twenty-one for all boys and girls who desire it. The majority will be tired of education before that age, and will prefer to begin other work sooner; this will lead to a natural selection of those with strong interests in some pursuit requiring a long training. Among those selected in this way by their own inclinations, probably almost all tho have marked abilities of the kind in question will be included. It is true that there will also be many who have very little ability; the desire to become a painter, for example, is by no means confined to those who can paint. But this degree of waste could well be borne by the community; it would be immeasurably less than that now entailed by the support of the idle rich. Any system which aims at avoiding this kind of waste must entail the far more serious waste of rejecting or spoiling some of the best ability in each generation. The system of free education up to any grade for all who desire it is the only system which is consistent with the principles of liberty, and the only one which gives a reasonable hope of affording full scope for talent. This system is equally compatible with all forms of Socialism and Anarchism. Theoretically, it is compatible with capitalism, but practically it is so opposite in spirit that it would hardly be feasible without a complete economic reconstruction. The fact that Socialism would facilitate it must be reckoned a very powerful argument in favor of change, for the waste of talent at present in the poorer classes of society must be stupendous.

2. Liberty to follow the creative impulse.— When a man's training has been completed, if he is possessed of really great abilities, he will do his best work if he is completely free to follow his bent, creating what seems good to him, regardless of the judgment of ``experts.'' At present this is only possible for two classes of people: those who have private means, and those who can earn a living by an occupation that does not absorb their whole energies. Under Socialism, there will be no one with private means, and if there is to be no loss as regards art and science, the opportunity which now comes by accident to a few will have to be provided deliberately for a much larger number. The men who have used private means as an opportunity for creative work have been few but important: one might mention Milton, Shelley, Keats and Darwin as examples. Probably none of these would have produced as good work if they had had to earn their livelihood. If Darwin had been a university teacher, he would of course have been dismissed from his post by the influence of the clerics on account of his scandalous theories.

Nevertheless, the bulk of the creative work of the world is done at present by men who subsist by some other occupation. Science, and research generally, are usually done in their spare time by men who live by teaching. There is no great objection to this in the case of science, provided the number of hours devoted to teaching is not excessive. It is partly because science and teaching are so easily combined that science is vigorous in the present age. In music, a composer who is also a performer enjoys similar advantages, but one who is not a performer must starve, unless he is rich or willing to pander to the public taste. In the fine arts, as a rule, it is not easy in the modern world either to make a living by really good work or to find a subsidiary profession which leaves enough leisure for creation. This is presumably one reason, though by no means the only one, why art is less flourishing than science.

The bureaucratic State Socialist will have a simple solution for these difficulties. He will appoint a body consisting of the most eminent celebrities in an art or a science, whose business it shall be to judge the work of young men, and to issue licenses to those whose productions find favor in their eyes. A licensed artist shall be considered to have performed his duty to the community by producing works of art. But of course he will have to prove his industry by never failing to produce in reasonable quantities, and his continued ability by never failing to please his eminent judges—until, in the fulness of time, he becomes a judge himself. In this way, the authorities will insure that the artist shall be competent, regular, and obedient to the best traditions of his art. Those who fail to fulfil these conditions will be compelled by the withdrawal of their license to seek some less dubious mode of earning their living. Such will be the ideal of the State Socialist.

In such a world all that makes life tolerable to the lover of beauty would perish. Art springs from a wild and anarchic side of human nature; between the artist and the bureaucrat there must always be a profound mutual antagonism, an age-long battle in which the artist, always outwardly worsted, wins in the end through the gratitude of mankind for the joy that he puts into their lives. If the wild side of human nature is to be permanently subjected to the orderly rules of the benevolent, uncomprehending bureaucrat, the joy of life will perish out of the earth, and the very impulse to live will gradually wither and die. Better a thousandfold the present world with all its horrors than such a dead mummy of a world. Better Anarchism, with all its risks, than a State Socialism that subjects to rule what must be spontaneous and free if it is to have any value. It is this nightmare that makes artists, and lovers of beauty generally, so often suspicious of Socialism. But there is nothing in the essence of Socialism to make art impossible: only certain forms of Socialism would entail this danger. William Morris was a Socialist, and was a Socialist very largely because he was an artist. And in this he was not irrational.

It is impossible for art, or any of the higher creative activities, to flourish under any system which requires that the artist shall prove his competence to some body of authorities before he is allowed to follow his impulse. Any really great artist is almost sure to be thought incompetent by those among his seniors who would be generally regarded as best qualified to form an opinion. And the mere fact of having to produce work which will please older men is hostile to a free spirit and to bold innovation. Apart from this difficulty, selection by older men would lead to jealousy and intrigue and back-biting, producing a poisonous atmosphere of underground competition. The only effect of such a plan would be to eliminate the few who now slip through owing to some fortunate accident. It is not by any system, but by freedom alone, that art can flourish.

There are two ways by which the artist could secure freedom under Socialism of the right kind. He might undertake regular work outside his art, doing only a few hours' work a day and receiving proportionately less pay than those who do a full day's work. He ought, in that case, to be at liberty to sell his pictures if he could find purchasers. Such a system would have many advantages. It would leave absolutely every man free to become an artist, provided he were willing to suffer a certain economic loss. This would not deter those in whom the impulse was strong and genuine, but would tend to exclude the dilettante. Many young artists at present endure voluntarily much greater poverty than need be entailed by only doing half the usual day's work in a well-organized Socialist community; and some degree of hardship is not objectionable, as a test of the strength of the creative impulse, and as an offset to the