Seasoning of Wood - Joseph Bernard Wagner (no david read aloud .TXT) 📗

1. Seasoned timber lasts much longer than unseasoned. Since the decay of timber is due to the attacks of wood-destroying fungi, and since the most important condition of the growth of these fungi is water, anything which lessens the amount of water in wood aids in its preservation.

2. In the case of treated timber, seasoning before treatment greatly increases the effectiveness of the ordinary methods of treatment, and seasoning after treatment prevents the rapid leaching out of the salts introduced to preserve the timber.

3. The saving in freight where timber is shipped from one place to another. Few persons realize how much water green wood contains, or how much it will lose in a comparatively short time. Experiments along this line with lodge-pole pine, white oak, and chestnut gave results which were a surprise to the companies owning the timber.

Freight charges vary considerably in different parts of the country; but a decrease of 35 to 40 per cent in weight is important enough to deserve everywhere serious consideration from those in charge of timber operations.

When timber is shipped long distances over several roads, as is coming to be more and more the case, the saving in freight will make a material difference in the cost of lumber operations, irrespective of any other advantages of seasoning.

Under present methods much timber is rendered unfit for use by improper seasoning. Green timber, particularly when cut during January, February, and March, when the roots are most active, contains a large amount of water. When exposed to the sun and wind or to high temperatures in a drying room, the water will evaporate more rapidly from the outer than from the inner parts of the piece, and more rapidly from the ends than from the sides. As the water evaporates, the wood shrinks, and when the shrinkage is not fairly uniform the wood cracks and splits.

When wet wood is piled in the sun, evaporation goes on with such unevenness that the timbers split and crack in some cases so badly as to become useless for the purpose for which it was intended. Such uneven drying can be prevented by careful piling, keeping the logs immersed in a log pond until wanted, or by piling or storing under an open shed so that the sun cannot get at them.

Experiments have also demonstrated that injury to stock in the way of checking and splitting always develops immediately after the stock is taken into the dry kiln, and is due to the degree of humidity being too low.

The receiving end of the kiln should always be kept moist, where the stock has not been steamed before being put into the kiln, as when the air is too dry it tends to dry the outside of the stock first—which is termed "case-hardening"—and in so doing shrinks and closes up the pores. As the material is moved down the kiln (as in the case of "progressive kilns"), it absorbs a continually increasing amount of heat, which tends to drive off the moisture still present in the center of the piece, the pores on the outside having been closed up, there is no exit for the vapor or steam that is being rapidly formed in the center of the piece. It must find its way out in some manner, and in doing so sets up strains, which result either in checking or splitting. If the humidity had been kept higher, the outside of the piece would not have dried so quickly, and the pores would have remained open for the exit of the moisture from the interior of the piece, and this trouble would have been avoided. (See also article following.)

Since in all our woods, cells with thick walls and cells with thin walls are more or less intermixed, and especially as the spring-wood and summer-wood nearly always differ from each other in this respect, strains and tendencies to warp are always active when wood dries out, because the summer-wood shrinks more than the spring-wood, and heavier wood in general shrinks more than light wood of the same kind.

If a thin piece of wood after drying is placed upon a moist surface, the cells on the under side of the piece take up moisture and swell before the upper cells receive any moisture. This causes the under side of the piece to become longer than the upper side, and as a consequence warping occurs. Soon, however, the moisture penetrates to all the cells and the piece straightens out. But while a thin board of pine curves laterally it remains quite straight lengthwise, since in this direction both shrinkage and swelling are small. If one side of a green board is exposed to the sun, warping is produced by the removal of water and consequent shrinkage of the side exposed; this may be eliminated by the frequent turning of the topmost pieces of the piles in order that they may be dried evenly.

As already stated, wood loses water faster from the ends than from the longitudinal faces. Hence the ends shrink at a different rate from the interior parts. The faster the drying at the surface, the greater is the difference in the moisture of the different parts, and hence the greater the strains and consequently also the greater amount of checking. This becomes very evident when freshly cut wood is placed in the sun, and still more when put into a hot, dry kiln. While most of these smaller checks are only temporary, closing up again, some large radial checks remain and even grow larger as drying progresses. Their cause is a different one and will presently be explained. The temporary checks not only appear at the ends, but are developed on the sides also, only to a much smaller degree. They become especially annoying on the surface of thick planks of hardwoods, and also on peeled logs when exposed to the sun.

So far we have considered the wood as if made up only of parallel fibres all placed longitudinally in the log. This, however, is not the case. A large part of the wood is formed by the medullary or pith rays. In pine over 15,000 of these occur on a square inch of a tangential section, and even in oak the very large rays, which are readily visible to the eye, represent scarcely a hundredth part of the number which a microscope reveals, as the cells of these rays have their length at right angles to the direction of the wood fibres.

If a large pith ray of white oak is whittled out and allowed to dry, it is found to shrink greatly in its width, while, as we have stated, the fibres to which the ray is firmly grown in the wood do not shrink in the same direction. Therefore, in the wood, as the cells of the pith ray dry they pull on the longitudinal fibres and try to shorten them, and, being opposed by the rigidity of the fibres, the pith ray is greatly strained. But this is not the only strain it has to bear. Since the fibres shrink as much again as the pith ray, in this its longitudinal direction, the fibres tend to shorten the ray, and the latter in opposing this prevents the former from shrinking as much as they otherwise would.

Thus the structure is subjected to two severe strains at right angles to each other, and herein lies the greatest difficulty of wood seasoning, for whenever the wood dries rapidly these fibres have not the chance to "give" or accommodate themselves, and hence fibres and pith rays separate and checking results, which, whether visible or not, are detrimental in the use of the wood.

The contraction of the pith rays parallel to the length of the board is probably one of the causes of the small amount of longitudinal shrinkage which has been observed in boards. This smaller shrinkage of the pith rays along the radius of the log (the length of the pith ray), opposing the shrinkage of the fibres in this direction, becomes one of the causes of the second great trouble in wood seasoning, namely, the difference in the shrinkage along the radius and that along the rings or tangent. This greater tangential shrinkage appears to be due in part to the causes just mentioned, but also to the fact that the greatly shrinking bands of summer-wood are interrupted along the radius by as many bands of porous spring-wood, while they are continuous in the tangential direction. In this direction, therefore, each such band tends to shrink, as if the entire piece were composed of summer-wood, and since the summer-wood represents the greater part of the wood substance, this greater tendency to tangential shrinkage prevails.

The effect of this greater tangential shrinkage effects every phase of woodworking. It leads to permanent checks and causes the log or piece to split open on drying. Sawed in two, the flat sides of the log become convex; sawed into timber, it checks along the median line of the four faces, and if converted into boards, the latter checks considerably from the end through the center, all owing to the greater tangential shrinkage of the wood.

Briefly, then, shrinkage of wood is due to the fact that the cell walls grow thinner on drying. The thicker cell walls and therefore the heavier wood shrinks most, while the water in the cell cavities does not influence the volume of the wood.

Owing to the great difference of cells in shape, size, and thickness of walls, and still more in their arrangement, shrinkage is not uniform in any kind of wood. This irregularity produces strains, which grow with the difference between adjoining cells and are greatest at the pith rays. These strains cause warping and checking, but exist even where no outward signs are visible. They are greater if the wood is dried rapidly than if dried slowly, but can never be entirely avoided.

Temporary checks are caused by the more rapid drying of the outer parts of any stick; permanent checks are due to the greater shrinkage, tangentially, along the rings than along the radius. This, too, is the cause of most of the ordinary phenomena of shrinkage, such as the difference in behavior of the entire and quartered logs, "bastard" (tangent) and rift (radial) boards, etc., and explains many of the phenomena erroneously attributed to the influence of bark, or of the greater shrinkage of outer and inner parts of any log.

Once dry, wood may be swelled again to its original size by soaking in water, boiling, or steaming. Soaked pieces on drying shrink again as before; boiled and steamed pieces do the same, but to a slightly less degree. Neither hygroscopicity, i.e., the capacity of taking up water, nor shrinkage of wood can be overcome by drying at temperatures below 200 degrees Fahrenheit. Higher