bookssland.com » Western » The Texan - James B. Hendryx (best historical fiction books of all time txt) 📗

Book online «The Texan - James B. Hendryx (best historical fiction books of all time txt) 📗». Author James B. Hendryx



1 ... 32 33 34 35 36 37 38 39 40 41
Go to page:
hear of you again. But—I can still say—good luck!" he extended his hand and Endicott seized it.

"I shall be sorry to think that we are never to meet again," he said simply.

The shadow of a smile flickered on the Texan's lips: "After a while, maybe—but not soon. I've got to lick a savage, first—and they die hard."

Endicott turned to go, when the other called to him: "Oh, Win!" He turned. "Is she here—anywhere around? I must tell her good-bye."

"Yes, she is down the creek a way. I'll send her to you."

The Texan advanced to meet her, Stetson in hand: "Good-bye," he said, "an' good luck. I can't give you no regular weddin' present—there's nothin' in the town that's fit. But, I'll give you this—I'll give you your man clean-handed. He ain't wanted. There's no one wants him—but you. He didn't kill Purdy that night. It's too bad he didn't—but he didn't. We all thought he did, but he only creased him. He came to, after we'd pulled out. I heard it from the puncher I had the fight with in the coulee—an' it's straight goods." He paused abruptly, and the girl stared wide-eyed into his face. The wild flowers dropped from her hands, and she laid trembling fingers upon his arm.

"What are you saying?" she cried, fiercely. "That Purdy is not dead?
That Win didn't kill him? That——"

"No. Win didn't kill him," interrupted the Texan, with a smile.

"Have you told Win?"

"No. Weddin' presents are for the bride. I saved it for you."

Tears were streaming from the girl's eyes: "It's the most wonderful wedding present anybody ever had," she sobbed. "I know Win did it for me, and if he had killed him it would have been justifiable—right. But, always, we would have had that thing to think of. It would have been like some hideous nightmare. We could have put it away, but it would have come again—always. I pretended I didn't care. I wouldn't let him see that it was worrying me, even more than it worried him."

The cowboy stooped and recovered the flowers from the ground. As Alice took them from him, her hand met his: "Good-bye," she faltered, "and—may God bless you!"

At the rock she turned and saw him still standing, hat in hand, as she had left him. Then she passed around the rock, and down the creek, where her lover waited with his arms laden with blossoms.

AN EPILOGUE

At exactly half-past four the Texan galloped to the door of the Red Front Saloon, and swinging from his horse, entered. Some men were playing cards at a table in the rear, but he paid them no heed. Very deliberately he squared himself to the bar and placed his foot upon the brass rail: "Give me some red liquor," he ordered. And when the bartender set out the bottle and the glass the cowboy poured it full and drank it at a gulp. He poured out another, and then a third, and a fourth. The bartender eyed him narrowly: "Ain't you goin' it a little strong, pardner?" he asked. The Texan stared at him as if he had not heard, and answered nothing. A smile bent the white aproned one's lips as he glanced into his customer's eyes still black from the blow Curt had dealt him in the coulee.

"Them lamps of yourn was turned up too high, wasn't they?" he asked.

The cowboy nodded, thoughtfully: "Yes, that's it. They was turned up too high—a damn sight too high for me, I reckon."

"Git bucked off?"

The blackened eyes narrowed ever so slightly: "No. A guard done that."

"A guard?"

"Yes, a guard." The Texan poured out his fifth drink. "In the pen, it was."

"In the pen!" The bartender was itching with curiosity. "You don't look like a jail-bird. They musta got the wrong guy?" he suggested.

"No. I killed him, all right. I shot his ears off first, an' then plugged him between the eyes before he could draw. It was fun. I can shoot straight as hell—an' quick! See that mouse over by the wall?" Before the words were out of his mouth his Colt roared. The bartender stared wide-eyed at the ragged bit of fur and blood that was plastered against the base-board where a moment before a small mouse had been nibbling a bit of cheese. The men at the card table paused, looked up, and resumed their game.

"Man, that's shootin'!" he exclaimed. "Have one on me! This geezer that you bumped off—self defence, I s'pose?"

"No. He was a bar-keep over on the Marias. He made the mistake of takin' ondue notice of a pair of black eyes I'd got—somehow they looked mirthful to him, an'—" The Texan paused and gazed reproachfully toward a flick of a white apron as the loquacious one disappeared through the back door.

A loud shouting and a rattling of wheels sounded from without. The card game broke up, and the players slouched out the door. Through the window the Texan watched the stage pull up at the hotel, watched the express box swung off, and the barn-dogs change the horses; saw the exchange of pouches at the post office; saw the stage pull out slowly and stop before a little white cottage next door to the steepleless church. Then he reached for the bottle, poured another drink, and drank it very slowly. Through the open door came the far-away rattle of wheels. He tossed some money onto the bar, walked to the door, and stood gazing down the trail toward the cloud of grey dust that grew dimmer and dimmer in the distance. At last, it disappeared altogether, and only the trail remained, winding like a great grey serpent toward the distant black buttes of the Judith Range. He started to re-enter the saloon, paused with his foot on the threshold and stared down the empty trail, then facing abruptly about he swung into the saddle, turned his horse's head northward, and rode slowly out of town. At the little creek he paused and stared into the piney woods. A tiny white flower lay, where it had been dropped in the trail, at the feet of his horse, and he swung low and recovered it. For a long time he sat holding the little blossom in his hand. Gently he drew it across his cheek. He remembered—and the memory hurt—that the last time he had reached from the saddle had been to snatch her handkerchief from the ground, and he had been just the fraction of a second too late.

"My luck's runnin' mighty low," he muttered softly, and threw back his shoulders, as his teeth gritted hard, "but I'm still in the game, an' maybe this will change it." Very carefully, very tenderly, he placed the blossom beneath the band inside his hat. "I must go an' hunt for Bat, the old renegade! If anything's happened to him—if that damned Long Bill has laid for him—I will kill a man, sure enough." He gathered up his reins and rode on up the trail, and as he rode the shadows lengthened. Only once he paused and looked backward at the little ugly white town. Before him the trail dipped into a wide valley and he rode on. And, as the feet of his horse thudded softly in the grey dust of the trail, the sound blended with the low, wailing chant of the mournful dirge of the plains:

  "O bury me not on the lone prairie
  Where the wild coyotes will howl o'er me,
  Where the rattlesnakes hiss and the crow flies free,
  O bury me not on the lone prairie."

***END OF THE PROJECT GUTENBERG EBOOK THE TEXAN***

******* This file should be named 16976-8.txt or 16976-8.zip *******

This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/6/9/7/16976

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away—you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work

1 ... 32 33 34 35 36 37 38 39 40 41
Go to page:

Free e-book «The Texan - James B. Hendryx (best historical fiction books of all time txt) 📗» - read online now

Comments (0)

There are no comments yet. You can be the first!
Add a comment