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in some marine paintings. All were now merry as they breathed in the light breeze that began to arise. Even the mothers, so full of cautions and warnings, now laughed and joked among themselves.

“Do you remember,” one old woman was saying to Capitana Tika, “do you remember the time we went to bathe in the river, before we were married? In little boats made from banana-stalks there drifted down with the current fruits of many kinds and fragrant flowers. The little boats had banners on them and each of us could see her name on one of them.”

“And when we were on our way back home?” added another, without letting her go on. “We found the bamboo bridges destroyed and so we had to wade the brooks. The rascals!”

“Yes, I know that I chose rather to let the borders of my skirt get wet than to uncover my feet,” said Capitana Tika, “for I knew that in the thickets on the bank there were eyes watching us.”

Some of the girls who heard these reminiscences winked and smiled, while the others were so occupied with their own conversations that they took no notice.

One man alone, he who performed the duty of pilot, remained silent and removed from all the merriment. He was a youth of athletic build and striking features, with large, sad eyes and compressed lips. His black hair, long and unkempt, fell over a stout neck. A dark striped shirt afforded a suggestion through its folds of the powerful muscles that enabled the vigorous arms to handle as if it were a pen the wide and unwieldy paddle which’ served as a rudder for steering the two bankas.

Maria Clara had more than once caught him looking at her, but on such occasions he had quickly turned his gaze toward the distant mountain or the shore. The young woman was moved with pity at his loneliness and offered him some crackers. The pilot gave her a surprised stare, which, however, lasted for only a second. He took a cracker and thanked her briefly in a scarcely audible voice. After this no one paid any more attention to him. The sallies and merry laughter of the young folks caused not the slightest movement in the muscles of his face. Even the merry Sinang did not make him smile when she received pinchings that caused her to wrinkle up her eyebrows for an instant, only to return to her former merry mood.

The lunch over, they proceeded on their way toward the fish-corrals, of which there were two situated near each other, both belonging to Capitan Tiago. From afar were to be seen some herons perched in contemplative attitude on the tops of the bamboo posts, while a number of white birds, which the Tagalogs call kalaway, flew about in different directions, skimming the water with their wings and filling the air with shrill cries. At the approach of the bankas the herons took to flight, and Maria Clara followed them with her gaze as they flew in the direction of the neighboring mountain.

“Do those birds build their nests on the mountain?” she asked the pilot, not so much from a desire to know as for the purpose of making him talk.

“Probably they do, señora,” he answered, “but no one up to this time has ever seen their nests.”

“Don’t they have nests?”

“I suppose they must have them, otherwise they would be very unfortunate.”

Maria Clara did not notice the tone of sadness with which he uttered these words. “Then—”

“It is said, señora,” answered the strange youth, “that the nests of those birds are invisible and that they have the power of rendering invisible any one who possesses one of them. Just as the soul can only be seen in the pure mirror of the eyes, so also in the mirror of the water alone can their nests be looked upon.”

Maria Clara became sad and thoughtful. Meanwhile, they had reached the first fish-corral and an aged boatman tied the craft to a post.

“Wait!” called Aunt Isabel to the son of the fisherman, who was getting ready to climb upon the platform of the corral with his panalok, or fish-net fastened on the end of a stout bamboo pole. “We must get the sinigang ready so that the fish may pass at once from the water into the soup.”

“Kind Aunt Isabel!” exclaimed the ex-theological student. “She doesn’t want the fish to miss the water for an instant!”

Andeng, Maria Clara’s foster-sister, in spite of her carefree and happy face, enjoyed the reputation of being an excellent cook, so she set about preparing a soup of rice and vegetables, helped and hindered by some of the young men, eager perhaps to win her favor. The other young women all busied themselves in cutting up and washing the vegetables.

In order to divert the impatience of those who were waiting to see the fishes taken alive and wriggling from their prison, the beautiful Iday got out the harp, for Iday not only played well on that instrument, but, besides, she had very pretty fingers. The young people applauded and Maria Clara kissed her, for the harp is the most popular instrument in that province, and was especially suited to this occasion.

“Sing the hymn about marriage,” begged the old women. The men protested and Victoria, who had a fine voice, complained of hoarseness. The “Hymn of Marriage” is a beautiful Tagalog chant in which are set forth the cares and sorrows of the married state, yet not passing over its joys.

They then asked Maria Clara to sing, but she protested that all her songs were sad ones. This protest, however, was overruled so she held back no longer. Taking the harp, she played a short prelude and then sang in a harmonious and vibrating voice full of feeling:

 

Sweet are the hours in one’s native land, Where all is dear the sunbeams bless; Life-giving breezes sweep the strand, And death is soften’d by love’s caress.

Warm kisses play on mother’s lips, On her fond, tender breast awaking; When round her neck the soft arm slips, And bright eyes smile, all love partaking.

Sweet is death for one’s native land, Where all is dear the sunbeams bless; Dead is the breeze that sweeps the strand, Without a mother, home, or love’s caress.

 

The song ceased, the voice died away, the harp became silent, and they still listened; no one applauded. The young women felt their eyes fill with tears, and Ibarra seemed to be unpleasantly affected. The youthful pilot stared motionless into the distance.

Suddenly a thundering roar was heard, such that the women screamed and covered their ears; it was the ex-theological student blowing with all the strength of his lungs on the tambuli, or carabao horn. Laughter and cheerfulness returned while tear-dimmed eyes brightened. “Are you trying to deafen us, you heretic?” cried Aunt Isabel.

“Madam,” replied the offender gravely, “I once heard of a poor trumpeter on the banks of the Rhine who, by playing on his trumpet, won in marriage a rich and noble maiden.”

“That’s right, the trumpeter of Sackingen!” exclaimed Ibarra, unable to resist taking part in the renewed merriment.

“Do you hear that?” went on Albino. “Now I want to see if I can’t have the same luck.” So saying, he began to blow with even more force into the resounding horn, holding it close to the ears of the girls who looked saddest. As might be expected, a small tumult arose and the mothers finally reduced him to silence by beating him with their slippers [71] and pinching him.

“My, oh my!” he complained as he felt of his smarting arms, “what a distance there is between the Philippines and the banks of the Rhine! O tempora! O mores! Some are given honors and others sanbenitos!”

All laughed at this, even the grave Victoria, while Sinang, she of the smiling eyes, whispered to Maria Clara, “Happy girl! I, too, would sing if I could!”

Andeng at length announced that the soup was ready to receive its guests, so the young fisherman climbed up into the pen placed at the narrower end of the corral, over which might be written for the fishes, were they able to read and understand Italian, “Lasciate ogni speranza voi ch’ entrante,” [72] for no fish that gets in there is ever released except by death. This division of the corral encloses a circular space so arranged that a man can stand on a platform in the upper part and draw the fish out with a small net.

“I shouldn’t get tired fishing there with a pole and line,” commented Sinang, trembling with pleasant anticipation.

All were now watching and some even began to believe that they saw the fishes wriggling about in the net and showing their glittering scales. But when the youth lowered his net not a fish leaped up.

“It must be full,” whispered Albino, “for it has been over five days now since it was visited.”

The fisherman drew in his net, but not even a single little fish adorned it. The water as it fell back in glittering drops reflecting the sunlight seemed to mock his efforts with a silvery smile. An exclamation of surprise, displeasure, and disappointment escaped from the lips of all. Again the youth repeated the operation, but with no better result.

“You don’t understand your business,” said Albino, climbing up into the pen of the corral and taking the net from the youth’s hands. “Now you’ll see! Andeng, get the pot ready!”

But apparently Albino did not understand the business either, for the net again came up empty. All broke out into laughter at him.

“Don’t make so much noise that the fish can hear and so not let themselves be caught. This net must be torn.” But on examination all the meshes of the net appeared to be intact.

“Give it to me,” said Leon, Iday’s sweetheart. He assured himself that the fence was in good condition, examined the net and being satisfied with it, asked, “Are you sure that it hasn’t been visited for five days?”

“Very sure! The last time was on the eve of All Saints.”

“Well then, either the lake is enchanted or I’ll draw up something.”

Leon then dropped the pole into the water and instantly astonishment was pictured on his countenance. Silently he looked off toward the mountain and moved the pole about in the water, then without raising it murmured in a low voice:

“A cayman!”

“A cayman!” repeated everyone, as the word ran from mouth to mouth in the midst of fright and general surprise.

“What did you say?” they asked him.

“I say that we’re caught a cayman,” Leon assured them, and as he dropped the heavy end of the pole into the water, he continued: “Don’t you hear that sound? That’s not sand, but a tough hide, the back of a cayman. Don’t you see how the posts shake? He’s pushing against them even though he is all rolled up. Wait, he’s a big one, his body is almost a foot or more across.”

“What shall we do?” was the question.

“Catch him!” prompted some one.

“Heavens_!_ And who’ll catch him?”

No one offered to go down into the trap, for the water was deep.

“We ought to tie him to our banka and drag him along in triumph,” suggested Sinang. “The idea of his eating the fish that we were going to eat!”

“I have never yet seen a live cayman,” murmured Maria Clara.

The pilot arose, picked up a long rope, and climbed nimbly up on the platform, where Leon made room for him. With the exception of Maria Clara, no one had taken any notice of him, but now all admired his shapely figure. To the great surprise of

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