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of the complicated maze;

And round about she's gliding

In unwilling, hideous hiding,

On the platform, loop, or siding,

In a craze.

And still they cannot find her,

For she leaves no trace behind her

At Vauxhall, Clapham Junction, Waterloo;

But she passes like a comet

With the myst'ry of Mahomet—

Her course unknown—and from it

Not a clue!

[Pg 19]

MOST OFFENSIVE

Railway Porter. "If you please, sir, was this your'n?"

[Pg 20]

A RAILWAY COLLUSION—A HINT TO STATION-MASTERS

Porter. "Now, then, Bill! are you off?"

Cab Ruffian. "No; what sort of fare is it?"

Porter. "Single gent, with small bag."

Ruffian. "Oh, he won't do! Can't yer find us a old lady and two little gals with lots o' boxes? I'm good for a pint!"

[Pg 21]

CHANGELINGS; OR, A STORY WITHOUT (POLITE) WORDS.

"Them's the only dogs as come by this train, sir. The guard says as 'ow there was three sportin' dogs, as 'ad ate their label off, wot's gone on by the Scotch Express."

[Pg 22]

Rather 'Cute.—Small but Sharp Passenger. "Look here! You didn't give me the right change just now!"

Clerk. "Too late, sir! You should have spoken when you took your ticket!"

Passenger. "Should I? Well, it's of no consequence to me; but you gave me half-a-sovereign too much! Ta-ta!"     [Exit.

[Pg 23]

UNDERGROUND STUDIES
SMOKING COMPARTMENT
WAIT TILL THE TRAIN STOPS
THIRD CLASS. TO SEAT SIX

[Pg 24]

THE UNDERGROUND RAILWAYS

Stoker. "Wery sorry to disturb yer at supper, ladies, but could yer oblige me with a scuttle o' coals for our engine, as we've run short of 'em this journey?"

REPARTEES FOR THE RAILWAY

"No smoking allowed." Of course, but I am going to enjoy my cigar in silence.

"Want the window closed." Very sorry, but I can't find a cathedral.

"Find my journal a nuisance." Dear me! was under the impression it was a newspaper.

"Allow you to pass." Afraid only the Secretary can manage that for you; he alone has power to issue free tickets.[Pg 26]

"Do I mind the draught?" Not when I am attending to the chessman.

"Do I know the station?" Of the people on the platform? Probably lower middle class.

"Is this right for Windsor?" Yes, if it's not left for somewhere else.

"Are we allowed five minutes for lunch?" Think not; but you can have sandwiches at the counter.

"Isn't this first-class?" Quite excellent—first-rate—couldn't be better!

"I want to go second." Then you had better follow me.

"I am third." Indeed! And who were first and second.

"I think this must be London." Very likely, if it is, it mustn't be anywhere else.


The Way of the Whirled.—The rail-way.

"Very Hard Lines."—The railways.

[Pg 25]

RAILWAY AMALGAMATION—A PLEASANT STATE OF THINGS

Passenger. "What's the matter, guard?"

Guard (with presence of mind). "Oh, nothing particular, sir. We've only run into an excursion train!"

Passenger. "But, good gracious! there's a train just behind us, isn't there?"

Guard. "Yes, sir! But a boy has gone down the line with a signal; and it's very likely they'll see it!"

[Pg 27]

METROPOLITAN RAILWAY TYPES.
The party that never says, "Thank you!" The party that always says, "Thank you!" When you open the door, shut the window, or give up your seat for her.
THE THIRD-CLASS TRAVELLER'S PETITION

Pity the sorrows of a third-class man,

Whose trembling limbs with snow are whitened o'er,

Who for his fare has paid you all he can:

Cover him in, and let him freeze no more!

This dripping hat my roofless pen bespeaks,

So does the puddle reaching to my knees;

Behold my pinch'd red nose—my shrivell'd cheeks:

You should not have such carriages as these.

In vain I stamp to warm my aching feet,

I only paddle in a pool of slush;

My stiffen'd hands in vain I blow and beat;

Tears from my eyes congealing as they gush.

Keen blows the wind; the sleet comes pelting down,

And here I'm standing in the open air!

Long is my dreary journey up to Town,

That is, alive, if ever I get there.

Oh! from the weather, when it snows and rains,

You might as well, at least, defend the poor;

It would not cost you much, with all your gains:

Cover us in, and luck attend your store.

[Pg 28]

A CAUTION

No wonder Miss Lavinia Stitchwort thought the people very rude at the station when she went for her "water-proof" (which she had lost on the railway some time before). She found out when she got home she had not removed the "unclaimed property" label!

[Pg 29]

Nervous Party. "The train seems to be travelling at a fearful pace, ma'am."

Elderly Female. "Yus, ain't it? My Bill's a-drivin' of the ingin, an' 'e can make 'er go when 'e's got a drop o drink in 'im!"

[Pg 30]

The Origin of Railways.—The first idea of railways is of very ancient date, for we hear of the Great Norman line immediately after the Conquest.

Railway News.—There is an old lady who says, that she always likes to travel by a trunk line, because then she feels confidence about the safety of her luggage.


"Railway Coupling."—When the porter marries the young lady in the refreshment department.

[Pg 31]

THE FIRST "BRADSHAW"

A reminiscence of Whitsun Holidays in Ancient Egypt. From an old-time tabl(e)ature

[Pg 32]

Railway Reform.—Compartments to be reserved for ladies over and under a certain age.

As there will invariably be compartments for those who smoke, so also for those who snuff. The former will be labelled as usual "for Smokers," the latter "for Snuffers." The last-mentioned will be tried as far as Hampton Wick.

The "Sleeping Cars" will be divided into "Snorers" and "Non-Snorers." Tickets will be issued subject to these regulations.

It is important to the Shareholders to know that on and after the abolition of the Second Class, the motto of the Company will be "No Returns."

A Plutocrat.—Swell. "'Dyou oblige me—ah—by shutting your window?—ah——"

Second Passenger (politely). "Really, sir, if you will not press it, as yours is shut, the air is so warm I would rather keep this open. You seem to take great care of yourself, sir——"

Swell. "Care of myself! Should wather think so. So would you, my dear fel-lah, if you'd six thousand a ye-ar!!"

THE SLOW TRAIN

On Southern lines the trains which crawl

Deliberately to and fro

Make life a burden; of them all

This is the slowest of the slow.

Impatiently condemned to bear

What is indeed an awful bore,

I've seemed to be imprisoned there

Three days, or more.[Pg 34]

The angry passengers complain;

Of new electric cabs they talk.

They sit and swear at such a train,

And ask, "Shall we get out and walk?"

It's true the time seems extra long

When spent in such a wretched way,

My calculation may be wrong—

Three hours, say.

The other day I had to come

By this slow train, but facing me

Was no old buffer, dull and dumb;

I chatted with my vis-�-vis.

A pretty smile, a pretty dress,

Gay spirits no fatigue could crush;

With her it was a quick express,

Three minutes' rush.

For once I sadly left the train,

For once the time too quickly passed.

I still could angrily complain,

Why travel so absurdly fast?

At lightning speed that special went

(I'd paid the ordinary fare),

Now looking back it seems we spent

Three seconds there.

[Pg 33]

A BANK HOLIDAY SKETCH

Facetious Individual (from carriage window). "Change 'ere, 'ave we? Then kindly oblige me with a sardine-opener!"

Wednesbury Station.—First Collier. "Trains leave for Birmingham, 10.23 a.m., 6.23 p.m."

Second Collier. "What's p.m.?"

First Do. "A penny a mile, to be sure."

Second Do. "Then, what's a.m.?"

First Do. "Why, that must be a a'penny a mile."

[Pg 35]

RAILWAY LUXURIES

Excursionist. "I say—'ere! This water's full o'crumbs!"

Aquarius. "That ain't crumbs! That's only the sawdust off the hice!"

[Pg 36]

RAILWAY AND SOCIAL SYNONYMS

'Traction Engines.—Too many Girls of the Period.

Truck-Trains.—Most marriage processions at St. George's, Hanover Square.

Continuous Brakes.—The results of lodging house attendance.

Changing Lines.—What we often see after the honeymoon.

Shunted on to a Siding.—Paterfamilias when Baby appears.

A party who is quite in favour of light railways for town and country.

[Pg 37]

OUR COUNTRY COUSINS

The Gushington girls have just arrived by rail, and are inhaling the odours of an average London terminus.

Miss Milly Gushington. "Wait a bit, uncle." (Sniff.) "Oh, isn't it lovely, Hilly? Doesn't it just smell of the season?"

Miss Hilly Gushington. "Don't speak about it—only sniff!"

[Pg 38]

THE TOURIST'S ALPHABET (Railway Edition)

A is the affable guard whom you square:

B is the Bradshaw which leads you to swear:

C is the corner you fight to obtain:

D is the draught of which others complain:

E are the enemies made for the day:

F is the frown that you wear all the way:

G is the guilt that you feel going third:

H is the humbug by which you're deterred:

I is the insult you'll get down the line:

J is the junction where you'll try to dine:

K is the kettle of tea three weeks old:

L are the lemon drops better unsold:

M is the maiden who says there's no meat:

N is the nothing you thus get to eat:

O is the oath that you use—and do right:

P is the paper to which you don't write:

Q are the qualms to directors unknown:

R is the row which you'll find all your own:

S is the smash that is "nobody's fault:"

T is the truth, that will come to a halt:

U is the pointsman—who's up the whole night:

V is the verdict that says it's "all right."

W stands for wheels flying off curves:

X for express that half shatters your nerves:

Y for the yoke from your neck that you fling,

and Z for your zest as you cut the whole thing!

[Pg 39]

STARTLING!

Constable (to nervous passenger, arrived by the Ramsgate train). "I've got yer"—("Ger-acious Heavens!" thinks little Skeery with a thrill of horror. "Takes me for somebody that's 'wanted'!")—"a cab, sir."]

[Pg 40]

"THE MORE HASTE THE WORSE SPEED" Scene—The Charing Cross Station of the District Railway.

Country Cousin, bound for Bayswater, to ticket clerk, with scrupulous politeness. If you please, I want a first-class ticket to Bayswater.

Ticket Clerk (abruptly). No first-class here. Go to the next booking-place.

[Country Cousin retires rebuffed, and finds his way to next booking-place.

Country Cousin. If you please, I want a first-class ticket to Bayswater.

Ticket Clerk (explosively). Single or return? Look sharp! You're not the only person in London!

Country Cousin (humbly). Single, please.

[The ticket and change are slapped down unceremoniously, and Country Cousin is shoved on from behind by an impatient City man. Rushes precipitately down brass-bound steps, and presents his ticket to be snipped.

[Pg 42]

Snipper (inspecting ticket). Queen's Road, Bayswater? Wrong side! Go up the stairs, and turn to the right. Look sharp! There's a train just coming in!

[Country Cousin, with a

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