The Count of Monte Cristo - Alexandre Dumas (books for students to read .txt) 📗

to punish myself, but he has pardoned me. Love me then, Haydée! Who knows? perhaps your love will make me forget all that I do not wish to remember.”

“What do you mean, my lord?”

“I mean that one word from you has enlightened me more than twenty years of slow experience; I have but you in the world, Haydée; through you I again take hold on life, through you I shall suffer, through you rejoice.”

“Do you hear him, Valentine?” exclaimed Haydée; “he says that through me he will suffer⁠—through me, who would yield my life for his.”

The count withdrew for a moment. “Have I discovered the truth?” he said; “but whether it be for recompense or punishment, I accept my fate. Come, Haydée, come!” and throwing his arm around the young girl’s waist, he pressed the hand of Valentine, and disappeared.

An hour had nearly passed, during which Valentine, breathless and motionless, watched steadfastly over Morrel. At length she felt his heart beat, a faint breath played upon his lips, a slight shudder, announcing the return of life, passed through the young man’s frame. At length his eyes opened, but they were at first fixed and expressionless; then sight returned, and with it feeling and grief.

“Oh,” he cried, in an accent of despair, “the count has deceived me; I am yet living”; and extending his hand towards the table, he seized a knife.

“Dearest,” exclaimed Valentine, with her adorable smile, “awake, and look at me!” Morrel uttered a loud exclamation, and frantic, doubtful, dazzled, as though by a celestial vision, he fell upon his knees.

The next morning at daybreak, Valentine and Morrel were walking arm-in-arm on the seashore, Valentine relating how Monte Cristo had appeared in her room, explained everything, revealed the crime, and, finally, how he had saved her life by enabling her to simulate death.

They had found the door of the grotto opened, and gone forth; on the azure dome of heaven still glittered a few remaining stars.

Morrel soon perceived a man standing among the rocks, apparently awaiting a sign from them to advance, and pointed him out to Valentine.

“Ah, it is Jacopo,” she said, “the captain of the yacht”; and she beckoned him towards them.

“Do you wish to speak to us?” asked Morrel.

“I have a letter to give you from the count.”

“From the count!” murmured the two young people.

“Yes; read it.”

Morrel opened the letter, and read:

“My Dear Maximilian,

“There is a felucca for you at anchor. Jacopo will carry you to Leghorn, where Monsieur Noirtier awaits his granddaughter, whom he wishes to bless before you lead her to the altar. All that is in this grotto, my friend, my house in the Champs-Élysées, and my château at Tréport, are the marriage gifts bestowed by Edmond Dantès upon the son of his old master, Morrel. Mademoiselle de Villefort will share them with you; for I entreat her to give to the poor the immense fortune reverting to her from her father, now a madman, and her brother who died last September with his mother. Tell the angel who will watch over your future destiny, Morrel, to pray sometimes for a man, who, like Satan, thought himself for an instant equal to God, but who now acknowledges with Christian humility that God alone possesses supreme power and infinite wisdom. Perhaps those prayers may soften the remorse he feels in his heart. As for you, Morrel, this is the secret of my conduct towards you. There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of living.

“Live, then, and be happy, beloved children of my heart, and never forget that until the day when God shall deign to reveal the future to man, all human wisdom is summed up in these two words⁠—‘Wait and hope.’

Your friend,

“Edmond Dantès, Count of Monte Cristo.”

During the perusal of this letter, which informed Valentine for the first time of the madness of her father and the death of her brother, she became pale, a heavy sigh escaped from her bosom, and tears, not the less painful because they were silent, ran down her cheeks; her happiness cost her very dear.

Morrel looked around uneasily.

“But,” he said, “the count’s generosity is too overwhelming; Valentine will be satisfied with my humble fortune. Where is the count, friend? Lead me to him.”

Jacopo pointed towards the horizon.

“What do you mean?” asked Valentine. “Where is the count?⁠—where is Haydée?”

“Look!” said Jacopo.

The eyes of both were fixed upon the spot indicated by the sailor, and on the blue line separating the sky from the Mediterranean Sea, they perceived a large white sail.

“Gone,” said Morrel; “gone!⁠—adieu, my friend⁠—adieu, my father!”

“Gone,” murmured Valentine; “adieu, my sweet Haydée⁠—adieu, my sister!”

“Who can say whether we shall ever see them again?” said Morrel with tearful eyes.

“Darling,” replied Valentine, “has not the count just told us that all human wisdom is summed up in two words:

“ ‘Wait and hope (Fac et spera)!’ ”

Endnotes

“The wicked are great drinkers of water,
As the flood proved once for all.”

↩

$2,600,000 in 1894. ↩

Knocked on the head. ↩

Beheaded. ↩

Scott, of course: “The son of an ill-fated sire, and the father of a yet more unfortunate family, bore in his looks that cast of inauspicious melancholy by which the physiognomists of that time pretended to distinguish those who were predestined to a violent and unhappy death.” —⁠The Abbot, ch. XXII ↩

Guillotine. ↩

Dr. Guillotin got the idea of his famous machine from witnessing an execution in Italy. ↩

If by six in the morning the four thousand piastres are not in my hands, by seven o’clock the Count