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the stage, too,ā€ said Abanazar.

ā€œOh, that’s Beetle’s biznai,ā€ said Dick Four. ā€œVamp it up, Beetle. Don’t keep us waiting all night. You’ve got to get Pussy out of the light somehow, and bring us all in dancin’ at the end.ā€

ā€œAll right. You two play it again,ā€ said Beetle, who, in a gray skirt and a wig of chestnut sausage-curls, set slantwise above a pair of spectacles mended with an old bootlace, represented the Widow Twankay. He waved one leg in time to the hammered refrain, and the banjoes grew louder.

ā€œUm! Ah! Erā€”ā€˜Aladdin now has won his wife,ā€™ā€ he sang, and Dick Four repeated it.

ā€œā€˜Your Emperor is appeased.ā€™ā€ Tertius flung out his chest as he delivered his line.

ā€œNow jump up, Pussy! Say, ā€˜I think I’d better come to life!ā€ Then we all take hands and come forward: ā€˜We hope you’ve all been pleased.’ Twiggez-vous?ā€

ā€œNoustwiggons_. Good enough. What’s the chorus for the final ballet? It’s four kicks and a turn,ā€ said Dick Four.

ā€œOh! Er!

John Short will ring the curtain down. And ring the prompter’s bell; We hope you know before you go That we all wish you well.ā€

ā€œRippin’! Rippin’! Now for the Widow’s scene with the Princess. Hurry up, Turkey.ā€

McTurk, in a violet silk skirt and a coquettish blue turban, slouched forward as one thoroughly ashamed of himself. The Slave of the Lamp climbed down from the piano, and dispassionately kicked him. ā€œPlay up, Turkey,ā€ he said; ā€œthis is serious.ā€ But there fell on the door the knock of authority. It happened to be King, in gown and mortar-board, enjoying a Saturday evening prowl before dinner.

ā€œLocked doors! Locked doors!ā€ he snapped with a scowl. ā€œWhat’s the meaning of this; and what, may I ask, is the intention of this—this epicene attire?ā€

ā€œPantomime, sir. The Head gave us leave,ā€ said Abanazar, as the only member of the Sixth concerned. Dick Four stood firm in the confidence born of well-fitting tights, but Beetle strove to efface himself behind the piano. A gray princess-skirt borrowed from a day-boy’s mother and a spotted cotton bodice unsystematically padded with imposition-paper make one ridiculous. And in other regards Beetle had a bad conscience.

ā€œAs usual!ā€ sneered King. ā€œFutile foolery just when your careers, such as they may be, are hanging in the balance. I see! Ah, I see! The old gang of criminals—allied forces of disorder—Corkranā€ā€”the Slave of the Lamp smiled politelyā€”ā€œMcTurkā€ā€”the Irishman scowledā€”ā€œand, of course, the unspeakable Beetle, our friend Gigadibs.ā€ Abanazar, the Emperor, and Aladdin had more or less of characters, and King passed them over. ā€œCome forth, my inky buffoon, from behind yonder instrument of music! You supply, I presume, the doggerel for this entertainment. Esteem yourself to be, as it were, a poet?ā€

ā€œHe’s found one of ā€˜em,ā€ thought Beetle, noting the flush on King’s cheek-bone.

ā€œI have just had the pleasure of reading an effusion of yours to my address, I believe—an effusion intended to rhyme. So—so you despise me, Master Gigadibs, do you? I am quite aware—you need not explain —that it was ostensibly not intended for my edification. I read it with laughter—yes, with laughter. These paper pellets of inky boys —still a boy we are, Master Gigadibs—do not disturb my equanimity.ā€

ā€œWonder which it was,ā€ thought Beetle. He had launched many lampoons on an appreciative public ever since he discovered that it was possible to convey reproof in rhyme.

In sign of his unruffled calm, King proceeded to tear Beetle, whom he called Gigadibs, slowly asunder. From his untied shoestrings to his mended spectacles (the life of a poet at a big school is hard) he held him up to the derision of his associates—with the usual result. His wild flowers of speech—King had an unpleasant tongue–restored him to good humor at the last. He drew a lurid picture of Beetle’s latter end as a scurrilous pamphleteer dying in an attic, scattered a few compliments over McTurk and Corkran, and, reminding Beetle that he must come up for judgment when called upon, went to Common-room, where he triumphed anew over his victims.

ā€œAnd the worst of it,ā€ he explained in a loud voice over his soup, ā€œis that I waste such gems of sarcasm on their thick heads. It’s miles above them, I’m certain.ā€

ā€œWe-ell,ā€ said the school chaplain slowly, ā€œI don’t know what Corkran’s appreciation of your style may be, but young McTurk reads Ruskin for his amusement.ā€

ā€œNonsense! He does it to show off. I mistrust the dark Celt.ā€

ā€œHe does nothing of the kind. I went into their study the other night, unofficially, and McTurk was gluing up the back of four odd numbers of ā€˜Fors Clavigera.ā€™ā€

ā€œI don’t know anything about their private lives,ā€ said a mathematical master hotly, ā€œbut I’ve learned by bitter experience that Number Five study are best left alone. They are utterly soulless young devils.ā€

He blushed as the others laughed.

But in the music-room there were wrath and bad language. Only Stalky, Slave of the Lamp, lay on the piano unmoved.

ā€œThat little swine Manders miner must have shown him your stuff. He’s always suckin’ up to King. Go and kill him,ā€ he drawled. ā€œWhich one was it, Beetle?ā€

ā€œDunno,ā€ said Beetle, struggling out of the skirt. ā€œThere was one about his hunting for popularity with the small boys, and the other one was one about him in hell, tellin’ the Devil he was a Balliol man. I swear both of ā€˜em rhymed all right. By gum! P’raps Manders minor showed him both! I’ll correct his caesuras for him.ā€

He disappeared down two flights of stairs, flushed a small pink and white boy in a form-room next door to King’s study, which, again, was immediately below his own, and chased him up the corridor into a form-room sacred to the revels of the Lower Third. Thence he came back, greatly disordered, to find McTurk, Stalky, and the others of the company, in his study enjoying an unlimited ā€œbrewā€ā€”coffee, cocoa, buns, new bread hot and steaming, sardine, sausage, ham-and-tongue paste, pilchards, three jams, and at least as many pounds of Devonshire cream.

ā€œMy hat!ā€ said he, throwing himself upon the banquet. ā€œWho stumped up for this, Stalky?ā€ It was within a month of term end, and blank starvation had reigned in the studies for weeks.

ā€œYou,ā€ said Stalky, serenely.

ā€œConfound you! You haven’t been popping my Sunday bags, then?ā€

ā€œKeep your hair on. It’s only your watch.ā€

ā€œWatch! I lost it—weeks ago. Out on the Burrows, when we tried to shoot the old ram—the day our pistol burst.ā€

ā€œIt dropped out of your pocket (you’re so beastly careless, Beetle), and McTurk and I kept it for you. I’ve been wearing it for a week, and you never noticed. Took it into Bideford after dinner to-day. Got thirteen and sevenpence. Here’s the ticket.ā€

ā€œWell, that’s pretty average cool,ā€ said Abanazar behind a slab of cream and jam, as Beetle, reassured upon the safety of his Sunday trousers, showed not even surprise, much less resentment. Indeed, it was McTurk who grew angry, saying:

ā€œYou gave him the ticket, Stalky? You pawned it? You unmitigated beast! Why, last month you and Beetle sold mine! ā€˜Never got a sniff of any ticket.ā€

ā€œAh, that was because you locked your trunk, and we wasted half the afternoon hammering it open. We might have pawned it if you’d behaved like a Christian, Turkey.ā€

ā€œMy Aunt!ā€ said Abanazar, ā€œyou chaps are communists. Vote of thanks to Beetle, though.ā€

ā€œThat’s beastly unfair,ā€ said Stalky, ā€œwhen I took all the trouble to pawn it. Beetle never knew he had a watch. Oh, I say, Rabbits-Eggs gave me a lift into Bideford this afternoon.ā€

Rabbits-Eggs was the local carrier—an outcrop of the early Devonian formation. It was Stalky who had invented his unlovely name. ā€œHe was pretty average drunk, or he wouldn’t have done it. Rabbits-Eggs is a little shy of me, somehow. But I swore it was pax between us, and gave him a bob. He stopped at two pubs on the way in, so he’ll be howling drunk to-night. Oh, don’t begin reading, Beetle; there’s a council of war on. What the deuce is the matter with your collar?ā€

ā€œā€˜Chivied Manders minor into the Lower Third box-room. ā€˜Had all his beastly little friends on top of me,ā€ said Beetle from behind a jar of pilchards and a book.

ā€œYou ass! Any fool could have told you where Manders would bunk to,ā€ said McTurk.

ā€œI didn’t think,ā€ said Beetle, meekly, scooping out pilchards with a spoon.

ā€œCourse you didn’t. You never do.ā€ McTurk adjusted Beetle’s collar with a savage tug. ā€œDon’t drop oil all over my ā€˜Fors’ or I’ll scrag you!ā€

ā€œShut up, you—you Irish Biddy! ā€˜Tisn’t your beastly ā€˜Fors.’ It’s one of mine.ā€

The book was a fat, brown-backed volume of the later Sixties, which King had once thrown at Beetle’s head that Beetle might see whence the name Gigadibs came. Beetle had quietly annexed the book, and had seen—several things. The quarter-comprehended verses lived and ate with him, as the bedropped pages showed. He removed himself from all that world, drifting at large with wondrous Men and Women, till McTurk hammered the pilchard spoon on his head and he snarled.

ā€œBeetle! You’re oppressed and insulted and bullied by King. Don’t you feel it?ā€

ā€œLet me alone! I can write some more poetry about him if I am, I suppose.ā€

ā€œMad! Quite mad!ā€ said Stalky to the visitors, as one exhibiting strange beasts. ā€œBeetle reads an ass called Brownin’, and McTurk reads an ass called Ruskin; andā€”ā€

ā€œRuskin isn’t an ass,ā€ said McTurk. ā€œHe’s almost as good as the Opium Eater. He says ā€˜we’re children of noble races trained by surrounding art.’ That means me, and the way I decorated the study when you two badgers would have stuck up brackets and Christmas cards. Child of a noble race, trained by surrounding art, stop reading, or I’ll shove a pilchard down your neck!ā€

ā€œIt’s two to one,ā€ said Stalky, warningly, and Beetle closed the book, in obedience to the law under which he and his companions had lived for six checkered years.

The visitors looked on delighted. Number Five study had a reputation for more variegated insanity than the rest of the school put together; and so far as its code allowed friendship with outsiders it was polite and open-hearted to its neighbors on the same landing.

ā€œWhat rot do you want now?ā€ said Beetle.

ā€œKing! War!ā€ said McTurk, jerking his head toward the wall, where hung a small wooden West-African war-drum, a gift to McTurk from a naval uncle.

ā€œThen we shall be turned out of the study again,ā€ said Beetle, who loved his flesh-pots. ā€œMason turned us out for—just warbling on it.ā€ Mason was the mathematical master who had testified in Common-room.

ā€œWarbling?—O Lord!ā€ said Abanazar. ā€œWe couldn’t hear ourselves speak in our study when you played the infernal thing. What’s the good of getting turned out of your study, anyhow?ā€

ā€œWe lived in the form-rooms for a week, too,ā€ said Beetle, tragically. ā€œAnd it was beastly cold.ā€

ā€œYe-es, but Mason’s rooms were filled with rats every day we were out. It took him a week to draw the inference,ā€ said McTurk. ā€œHe loathes rats. ā€˜Minute he let us go back the rats stopped. Mason’s a little shy of us now, but there was no evidence.ā€

ā€œJolly well there wasn’t,ā€ said Stalky, ā€œwhen I got out on the roof and dropped the beastly things down his chimney. But, look here—question is, are our characters good enough just now to stand a study row?ā€

ā€œNever mind mine,ā€ said Beetle. ā€œKing swears I haven’t any.ā€

ā€œI’m not thinking of you,ā€ Stalky returned scornfully. ā€œYou aren’t going up for the Army, you old bat. I don’t want to be expelled—and the Head’s getting rather shy of us, too.ā€

ā€œRot!ā€ said McTurk. ā€œThe Head never expels except for beastliness or stealing. But I forgot; you and

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